Latest Haul: My New Hobby, Woodworking (Product Review

 So, the last haul that I brought in stirred up some trouble, in the form of a reddening skin condition on my leg. That blog article ended up dovetailing in to the context of this latest haul of mine, the woodworking tools and gear haul for the LED Backlit Sparrow Spiritual Mini Meditation Woodcut Panel project, essentially a reimagined take on a throwback decorative piece that I had in my old apartment and loft.

The original backlit spiritual woodcut panel art piece, which I custom outfitted with a base, glass panel backing, with LED strip lights inside, with stuff from IKEA. The woodcut panel came from Marco Polo Imports, in Santa Monica, now closed. (2011)

My 2026 contextually upcycled new take on a spiritual-themed and decorative meditation backlit wall panel, this time, in miniature form, so that I could accommodate doing the project from within my assisted care living group home housing environment situation. 

The project represents a change of pace, from “whatever” I was doing, previously… I guess it was a bunch of other product hauls and pigeon feeding, for the most part. Anyways, I gave the sparrows a feature part in this concept, as well as the medicinal flower inclusion, symbolizing a transition in to a different hobby, and perhaps some products in development along those lines. 

So, I initially imagined the mini sparrow woodcut panel, as part of a conceptualized product marketing campaign and branding mockup of ideas and imagery, through consulting heavily with Google Gemini artificial intelligence. I floated the idea of the original woodcut panel, from its origins in Southeast Asia (Indonesia, perhaps), and I wanted the theme to be representative of my friends, the birds, along the way, with a different flower that I’d been heavily researching and studying, over the past several months, leading up to today (early April 2026), the new flower being Michelia alba, a highly fragrant subtropical tree in the Magnolia family, that was found in my mother’s first home country of Hong Kong (Great Britain, China). 

My mother and I were both in to gardening, back in my teen years, growing up, and it was my retreat in to a change of pace, and it was something to work on, in between my school studies and getting in to trouble, here and there, myself. Eventually we purchased a Michelia alba tree, after seeing them available at San Gabriel Nursery. The trees were on the higher end of the price range for trees of that size, ostensibly due to the rarity that it was, here in Southern California, and for its prized fragrant flowering blooms, which appear throughout several months out of the year, in the scarce gardening regions 10 and 11, which is basically Southern California, Florida, and perhaps a few other small, scattered locations around America. Prior to purchasing one of the trees, I would commonly visit the trees at the gardening center to smell the flowers.

Here is what Gemini and I came up with, for a reconstitution formulation (a highly valuable feature):

### 10-Gram Trial Batch (Weights)

Since you're ready to mix, here are the weights for a **10-gram sample**. This is the safest way to test the balance without wasting your precious Orris or Lilytol.

| Ingredient | Amount for 10g Batch |

|---|---|

| **Linalool** | 5.30 g |

| **Lilytol** | 0.80 g |

| **Phenylethyl Alcohol (PEA)** | 0.70 g |

| **Benzyl Alcohol** | 0.60 g |

| **Benzyl Acetate** | 0.40 g |

| **Beta-Ionone** | 0.30 g |

| **Ocimene** | 0.25 g |

| **Geranyl Acetate** | 0.20 g |

| **Ethyl 2-methylbutyrate** | 0.15 g |

| **Indole (10% in DPG)** | 0.15 g |

| **Alpha-Terpineol** | 0.15 g |

| **Jasminlactone** | 0.12 g |

| **Beta-Caryophyllene** | 0.10 g |

| **Heliotropin Replacer (10% dil.)** | 0.30 g (This is 3 parts) |

| **Orris Butter (10% dil.)** | 0.10 g (This is 1 part) |

| **Methyl Benzoate (10% dil.)** | 0.05 g |

| **DPG (to finish weight)** | 0.33 g |

| **Total** | **10.00 g** |

Perhaps this gives readers a sense of the smell of the flower. It’s described as very sweet and fruity, while having some facets of other white flowers. 

So, I set out in trying to recreate my favorite visual piece in my loft and in my apartment, in a renewed form, a miniature woodcut panel featuring sparrows and Michelia alba flowers. 

To do this, I had to investigate the tools I would use, in order to complete the job. My search happened around the time of Amazon’s Big Spring Sale, and I found some great deals on tools and parts. 

———————

Break. Taking a break. Here’s some stuff to look at, in the meantime.     

The basic rotary tool kit, with bits, burrs, and a flex shaft.

Some wood carving burr bits.

Drill milling bits.

A 60° V groove bit

A tungsten carbide flame burr bit.

Some other wood carving bits. 

One of 10 various angle V groove bits.

Colored acrylic panels, for a choice of backdrop lighting for the finished art piece.

The original work’s carbon paper, which is used to transfer the tracing of the image on to the woodcut panel, prior to cutting it. 

The carbon outlines and details of the image, on the woodcut panel, with the cut out parts blacked out. 

The original work piece template, as a printing.

A prior version of the art piece, on the board, as a silhouette of the cut out portions.

An earlier version of the carbon tracing.

An imaginative pre-visualization of what the wood panel on backlit colored acrylic could look like. 

A color corrected original image of the art piece.

A grayscale image of the work, for bit depth judgment and for tracing. 

A 3D render of the flat image, as a pre-visualization tool.

Some Dremel 106 bits, for surface detail work.

A long and narrow carbide burr, for chucking out wood more effectively.

Neodyminium magnets, for attaching the acrylic panels to the wood piece (potentially). 

A more recent, angled view of the woodcut panel, where a good portion of the outlines has been completed.

The backlight framing shadow box, with a 5 meter strip light (one white color only).

The frame box, in prototype form, with mounting hardware holding the colored acrylic panel in place, with the backlights on.

10 mil Mylar sheets, for diffusing the light, prior to it hitting the acrylic panel.

Now, about 10 days in to the project, you can get an idea as to what the end product will look like. I’ve gotten a little bit further on the woodcutting panel, and I may have made some slight errors, in cutting out some of the wood parts, such as the birds’ beaks, in one or two cases, but perhaps that will be fixable before the woodcutting is done. I put together the backlight frame, after much shopping around, and I settled on a 5 meter USB-powered white only strip light, which was very cheap, from Temu. I tried some RGB colored puck lights, but the diameter of the lights wasn’t quite sufficient to cover enough surface area, so I guess I’ll use those in some other way. 

Overall, I’m pretty satisfied, so far, with the progress of things; I spent several nights and a couple of days out, doing the woodcutting outdoors, and creating the backlit LED box portion of the project was another task entirely. It’ll take some figuring out, still, as to how the woodcut panel will stick on to the acrylic, and I imagined that it could be done using neodyminium magnets, which are very powerful, for their size, so I purchased some. The entire piece is loosely constructed, mostly because I’d like to have the option to try out different colors of the acrylic panels, since this is the only prototype version of the product that I have, so far. 

Hopefully, in the next few days, I’ll have the silhouette carved out, and we can preview what the woodcut panel will look like, when mounted on top of the light box. 

This is what the woodcut looks like after several work sessions and 11 days later.

I went out and did a work session for a couple of hours, and I’m pretty pleased with the results, so far. The mistakes I had made are reparable, and I’m almost through cutting flush lines out of the cutout sections. I think I might be able to preview the work on the backlit panel this evening, if I put in one more work session, prior to this evening. 

My first rough cut of the silhouette of the woodcut panel, on top of the backlit panel. 

So I spent a couple more hours on chucking out the cut out spots and straightening the edges up, between the form that was to stay put, versus the cut out spots. Someone had mentioned that it’s difficult to make out the subject matter, in this portrayal of the woodcut panel, so I’m thinking that it could be the color of the wood itself, or of the acrylic panel, or perhaps the piece would do better if it had spotlights or dome lights, overhead. I don’t know if I should try to define the forms of the subject matter more so, using fine drill milling, along the surface detail lines, I hadn’t planned for that. Essentially, the original woodcut panel was a more motif-based piece, based on foliage and flourish types of effects of the cut patterns, centered around a lotus flower - much simpler, and the foreground detail was still recognizable, despite that the piece was backlit. 

Next, I placed a white acrylic panel underneath the woodcut, for comparison with the original large form piece. I did some mockup dramatic color shifting, along with boosting some image component sliders here, lowering some others, there. I wanted to take a peek at what the piece would look like with some stain, along with more emphasis on the pencil lining that still exists on the wood, and here, I emphasized the contrast and black point. It gave me a sense of depth to the otherwise flat edged silhouette panel, as though the grooves had been defined by further woodwork (that still needs to be done). In any case, this visualization of the piece gives a far more relatable image, for its detail, and for its color, which would be achieved by applying some wood stain. I think that the piece will look something like this (at least, hopefully), or perhaps a bit better, for being naturally wrought, rather than digitally altered. I just wanted to get the piece to a place right around this spot, to check on the visual effect of the backlighting and to check out different colored acrylic panels, for reference. 

Here’s the panel with a spotlight, and another image with a dome light. Both add definition and detail, in otherwise natural light, and they’re both plausible display scenarios, for the end user.

Natural light and coloration, with a spotlight.

Natural light and coloration, with a dome light.

So, what remains to be done is the surface detail of the piece, making grooves and edging things off, here and there. Outside of trying some stain on the wood panel, which would come later, at the end, or close to it, some surface lighting adds a lot of definition to the existing cuts and tracing lines. 

Here’s what the kit looks like, in the dark. 

Next, I tried a turquoise panel. I’m pretty fond of this combination, in the dark of the night. The nearly black silhouette goes well against a luminous backdrop, and it reminds me of a Bash command line terminal aesthetic. 

Update: Sunday, April 26th, 2026.

I did some experimentation with completing the detail portion of the job, now that I had a decent silhouette worked out. Prior to that, though, I sanded down the corners and edges to remove the bits of wood that were sticking out. For the detail, I worked with Genmitsu v-groove bits, which are basically a set of angled bits, each a different angle, out of a set of 10. I used the sharper ones, maybe 20-30° degree angle bits, for engraving the surface layer portions, as though I were tracing over it with the rotary tool. I wasn’t sure how it would turn out, but I finished it up, earlier this evening, and I put some stain on the wood, and it looks fantastic, in my opinion! Take a look. 

The woodcut, with its first layer of stain.

Here’s the woodcut panel on top of the backlit acrylic box frame, with some spotlight effect on it (otherwise the surface detail is darkened, a lot). 

I guess that the piece could be done over again, I was still learning technique as I was doing this first piece of mine. Maybe some of the parts could be gone over one more time, since there’s some small discrepancies between this woodcut and the original image. The piece looks a lot better miniaturized, which was kind of my concept, to begin with - mini meditation woodcut panels and 3D prints. It’s not all that much poorly done, after examining it some more, I think I just missed a few things, for the most part. 

This is the current look of the piece, the morning after.

Here it is, with a yellow acrylic panel.

After letting the situation (i.e. some of the birds look cartoony, and I suppose I ran the rotary tool a bit ragged, on some of the design features. Aside from that, there’s a few spots that still need hollowing out, and I caught wind of the memory of wood putty, which could be the missing link on some of these surface scoring and engraving blunders on the leaves and birds. There is, also, trim around the edges of the entire relief, which is comprised of bas relief floral and flourish motifs. What’s left to do is figure out if I’m rescuing the piece, or ruining it, by doing more “stuff” to it. Obviously a whole new second try on the piece with a new wood panel would probably turn out better than the first, but I have to figure out if I’m going to try this one again, or if I’ll move on to a different design. 

Continuing forth in critical analysis of the work that’s been done, so far, it came up that the piece is lacking depth and layers of bas relief, which are implied in the original generated image, so I might probably try to excavate some of the surface level of some of the design, to begin with. The wood piece is pretty sturdy, so I think it could hold up well, and have some more work done on it. 

Here’s the lavender-colored acrylic panel, with a dark silhouette of the woodcut. I feel that this one is pretty compelling, it reminds me of Halloween.

I got some large double-sided sticky pads and museum art mounting gel to finish up the assembly and mounting of the piece. Here’s what the piece looks like on the wall. 

I think that it came out nicely, for a first try at a mini meditation backlit woodcut panel.

Catching up with neat-o fancy apps of web | app UI design, with universal or hybrid platform code bas

For first-time web | app (website-derived apps, or even in-page call stack coding “miniatures,” if you will) - somebody (like, myself), who is a “basically” amateur open-book sort of web app developer | aspirational type of approach to coding (except for Linux stuff, which has only limited-scope usefulness and portability, in this consideration of a use case scenario):

• Many people, I imagine, simply draw a blank, as to what to do, in a case like this, since it was all just some imaginable “great” internet-borne experience.
• Consequently, the urge to come up with something ingenious and worthwhile (worth talking about, perhaps) comes to mind.
• The mind comes to consider that somebody else had already come up with this great idea.
• A search on the Google Play Store or Apple’s App Store commences / newbies might, alternately, opt to try to break in to / subvert their devices security measures, and pursue some sort of disassembly of their device and or it’s operating system, for the sake of coming upon something “better.”

• Ugh.

• Personally, I stopped doing the self-hacking of the device and the disassembly thing, several years ago, since I was always at odds with coming up with something innovative, or productive. 

   To be certain, 

  most decent development ideas have already been derived and established, of an organic nature, independently - just as an offhand fleeting assertion; the notion could extend to as much as that we are always, it may seem, and from here on out - aside from the expectation of that novelty, as a general premise in development, and in discovery; perhaps, innovation, per se, we now have some recent seminal works on the limitations of novelty, given some development task. For example, in the recent years, leading up to this point in time, we have some of the formative rhetoric and ideological and logistical backdrop established, as to what can be attained and wrought, from out of an intersection between novelty and the influence of creative works, from the study:

  Park, D., Nam, J. & Park, J. Novelty and influence of creative works, and quantifying patterns of advances based on probabilistic references networks. EPJ Data Sci. 9, 2 (2020). https://doi.org/10.1140/epjds/s13688-019-0214-8

  “Also, there are implications for the psychological study of novelty as well. It has been known in optimal theory of novelty that the positive acceptance (also called the “hedonic value”) of novelty follows the so-called Wundt curve that increases initially but decreases after a peak, indicating that too much novelty can be off-putting to humans…”

  which includes references to information derived from yet other works:

  Berlyne, D. E. (1969). Arousal, reward and learning. Annals of the New York Academy of Sciences, 159(3), 1059-1070.

  and  Berlyne, D. E. (1970). Novelty, complexity, and hedonic value. Perception & psychophysics, 8(5), 279-286.

  Both, simply for a quick flash of the context’s potential subject areas, which could, or ought to be considered, in this case. 

  Essentially, the topic, in and of itself, supposes that novel ideas are limited, in their usefulness and in their longevity, yet, as we may observe, from the initially-cited article, 

The iPigeon last minute (or beyond) 2022 cool picks for holiday cheer. A web history best of.

Sometimes, I figure out slightly novel or ingenious little twists, when getting back to Google Web Searching. Their Top 100 Shopping Trends of 2022 splash page, which just reached me, the other day, saw some familiar favorites, and it inspired a mock shopping trip dive, which, ostensibly, I’d had had to have made a multi-part return to the topic, so I could report back to readers on some of my findings, of truly neat-o, new, or innovative products that seemed to have surfaced, in the retail online consumer market, over this past year, 2022, within my ad marketing serve, and which I hope finds you discovering inspiring and fruitful Google Shopping, etc., online marketplace searches.

As many of you know, I’m a long-time connoisseur of fine fragrance, both as a consumer and as a semi- or sometimes-moderate[novice] (developing) manufacturer, or perfume artist, of which I’d had some recent likable compositions and single ingredients made. I’d lost my perfume ingredients collection due to some circumstances, over the past year, yet I had a longing to return to this theme of a nice tropical fragrance, such as one that I’d made, called Southern Critter Skeet Skeet, which found itself multivariate uses, in practical terms, beyond personal fragrancing - the aroma seemed to stir the winds of an environment, at times, and it was a good cover, when put to use, in small environmental settings, where the air quality had taken a downturn, such as a dead animal’s smell, perhaps. 

I started out a new search - completely new, for me: island perfume ingredients. There was some talk about island nation people going on, earlier in the day, a day or two ago, and my thoughts turned to island fragrances, of the imagined richness and diversity potential of a fertile island’s vegetation, perhaps special care and cultivations of - particularly unique and perhaps fragrant aroma compounds, oils, or fruits, for example. The search - a limited and quick browse, through the various several pages that came up, on Google Shopping, found some quick and interesting links, such as fragrance ingredients suppliers, such as ChemWorld.com, new-to-me fragrance ingredients, along tropical-themes, such as Veratraldehyde, to investigate, and perhaps follow up on, at some point; a new index, of a highly astute and well-wrought out thorough-ability, of both common names of plants, as well as their associated constituent chemical and essential oil scientific names and chemistry signifiers, oxytocin spray, and, my personal fave - throwback classic island fragrances by Monoi | Tiki.

Remember these fragrances? I think that they’re pretty good, if I recall.

Another quick suggestion, fragrance-wise, is FragranceNet.com’s deal on Dior Homme - a fragrance suite which can be a little bit confusing - but don’t get confused - there’s vastly different “Dior Homme” fragrance varieties out there, several, perhaps, and I tried smelling the white label one - I definitely didn’t much like it. This is the one I like - the grey background with the black rectangle one. If you’re looking for a cheap holiday gift, 10 mL of Dior Homme, in a mini form, should suit somebody’s fragrance tastes just fine, perhaps for weeks, or a month, or two, perhaps, and it comes with shower gel. It’s a nice deal, at $20.99 (40% off, currently), and it smells great - reminiscent of a fine department store’s fragrancing, for example. 

* plus shipping

One deal that I commonly encounter, regardless of the time of year, although I had just come across it, right now, is the sidewalk vegetables and fruits vendors of Chinatown, neighboring downtown Los Angeles. They give out generous amounts of fruits and vegetables for characteristically one dollar, in most cases I’ve encountered. 

Downtown Los Angeles’ new pigeon babies - May 2022.

In most cases,

A typical pigeon that a person would come across is simply a standard pigeon. Over he years, however, with some dedication, investment, and care, the creatures become slightly diversified, of their physical appearance, in various ways. Here, in this article, I’ll document some of the images of the young, whom I can identify, of the season’s offerings of pigeon and sparrow babies, of some notable distinction in their appearance, compared to the standard varieties of wild pigeons or sparrows that are to be found, as adults - whom may, themselves, be newly homed or released birds, whereas I also attempt to manage the general day-to-day presence and feeding of the birds, within the Downtown Los Angeles area. I’m beginning this documentation at the end of May, 2022, a well-enough point in the season for babies to have hatched, been fed in the nest, by their parents, and now, they’re capable of getting out and about, and they’re capable of feeding themselves. They would also have taken on enough plumage to demonstrate their fully-adult appearances. 

2022 - Doe eyes and soft pastels, and a squirrel pigeon.

During this season, at the end of May, when I began documenting these birds, for the season’s developments, in the birds’ appearance, I noticed that some of the young, whom I could identify as fledgling pigeons or sparrows, had taken on some development around the eyes, as more pronounced, or outlined - in some cases, nearly decorative and cosmetic changes had seemed to have become established. On one hand, my task management capability here in town is somewhat a quite broad and challenging effort to fulfill - I’ve gotten up my daily small-localities visitations up to a definite 5 areas, whereas there are easily perhaps anywhere from 75-200 or so birds that show up to eat. Some breeders and pigeon specialists are capable of establishing very regimented and impressive defined features in their birds, such as alternating feather color on the wings, for example, but I’m not particularly going for that type of establishment, in these birds - mostly just focusing on keeping them fed. One of the challenges is that the birds seem to be getting poached, or targeted, for capture and abuse - I currently had recently taken in “Virgil,” so-called, a pigeon whom I found, out on the street, about a week ago. I found him with string, hair, and a metal spring tied around both of his feet, and fortunately, I was able to win his trust, take him home, and assist him, as best I could, in removing the objects that were binding his feet, although his skin was already very inflamed around the trauma areas, and the string bound the skin deeply, more than I cared to injure the pigeon with, in attempting to remove the string any further. 

June 2022: Cheetah zazzles and more doe-eyed pigeons.

Three doe-eyed pigeons; one, perhaps, a parent.