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Wednesday, July 17
My favorite take, from out of Amazon Prime Day 2024.
Saturday, April 27
iPigeon.institute Local Botanical Item Spotlights - Mitica brand honeycomb, from Gelson's.
Update, and quick note: yipes! This product could potentially cause severe eye irritation! Be very wary about using the product described in this blog article, as far as cosmetic use goes.
One of my more recent fragrance fascinations was with the raw material, the honeycomb. I'd once had a great sample of Beeswax Absolute, which I highly enjoyed, and, which I'd mixed in to some fragrance compositions, with some slight attainment about them. I found the material very overpoweringly dominant, in what I felt, at the time, were small portions (I was just beginning to investigate and experiment with perfumery materials, having come from a background in making fragrance compositions with essential oils and absolutes that are more commonly found in local retail stores.
In any case, I was fascinated by the physiological, or psychoactive (bioactive, perhaps, at least), effects of Beeswax Absolute, and, once I had run out of my sample product, I'd sometimes obsess over the ingredient, and I'd spend a lot of time, here and there, trying to find out new things to know about the product, itself, and I also developed a fascination with producing the absolute, myself, as well.
Recently, I came across a great retail product beeswax honeycomb, by Mitica brand, which I found at Gelson's grocery store. I made sure to pick one up, since I had lots of money on my Food Stamps account, still. The item comes in its own frame and plastic box (which, for aroma chemical extraction, might not be the best material, but this is just my first try at producing my own agricultural fragrance ingredient from this material).
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A top view of Mitica brand's honeycomb box, which includes a frame that the beeswax and honey, contained within the honeycomb, is built upon. |
I had not much knowledge base to work from, as far as discovering literature in regards to the chemical and molecular composition and form of honeycomb and beeswax material, so I had to do some looking up, of things. I had some notion that I could try to produce an alternative product to an absolute, using regular cooking vinegar. I tried it out, by soaking the honeycomb frame, in the box, and I felt that it could take weeks, or months, or more, perhaps, for a full extraction, as limited as with vinegar, solely, as the extraction fluid, although evaporation would be fairly reliable, I figured, and there could be useful compounds produced, with acetic acid thrown in to the equation, given that I be patient.
At this point, it's been a few weeks, or so, and I noticed some slight changes - almost of that the beeswax seemed almost alive, in and of itself, even under vinegar, since I felt that some of the beeswax seemed to have creeped along, further out, on to the frame's top edges, where I don't remember seeing beeswax establishments, previously. The vinegar solution, itself, slowly became yellowish, but there wasn't a whole lot of action, in this instance of experimentation.
Upon investigating the solvency considerations of the material, it was learned that the extraction would be best done with a polar solvent. I don't have any of the standard solvents, on hand, but, at one point, I became reminded that I have dimethyl octenone on hand, of which, I'd had previously employed a similar (somewhat) product, in doing an extraction and production method, as an experiment, with 3-octanone, as part of the extraction. Dimethyl octenone has a fairly relative olfactory scent profile to 3-octanone, and I figured that it is a polar solvent, in and of itself, perhaps as a scarce fraction of some other, more gross product of some other agricultural crop, in being separated, for qualitative purposes.
With a 15 mL bottle of dimethyl octenone, I was capable of pouring around a third, or less, of the bottle out, in to the vinegar solution, and still cover the entire top surface area. Immediately, I noticed that the two layers didn't immediately mix; it was like oil and water, so I felt that my decision to employ dimethyl octenone was justified. This was yesterday. The liquid in the box became very vaporous, so I felt that perhaps a timeline of an extraction, in this experiment phase, would work along a much quicker timeline. If you'd notice, in the first photo, some of the honeycomb cells are destroyed, over on the top left. There are also some "breathing holes" that had developed, as a result of introducing the dimethyl octenone to the solvent solution (I shook the box, so the liquids became a more thorough solution). I figured, dimethyl octenone, pungent and musky solvent-smelling that it is, it'll eventually evaporate off; I should seek to establish more generalized visible similarities between what I produce, regardless of what it is, specifically, and if the viscosity, or consistency, in terms of the product's thickness, or solidity, becomes a familiar and standard sort of outcome, it would be easier to sit and wait for this type of portion of patience being necessary, being that dimethyl octenone might only dissipate over several weeks, or so, perhaps.
Part of the challenge would be discovering what becomes of the wax, itself. I would typically take a "hands-off" approach to playing with my extraction experiments, and just stick to observation, and just the slightest of mixing, or disturbance of the solution, but, in this case, I touched the corner of the beeswax, and it melted like cake frosting, so I knew, then, that the extraction would be successful, from here. Only time will tell, as to what the outcome of this experiment will produce.
Update:
This (not so delicate) bulge is pretty resilient, in fact - almost like a rubbery latex, in texture, but definitely bendable and flexible, with the plastic walls having disintegrated, due to the particular nature of the acidic polar solvency of the solution. I'd suppose it would be a perfumer's hand at pulling off this trick; some of it is just gestural artistry, since I didn't know that this would happen - although if you did the same extraction, it very well could happen for you, also.
Tuesday, June 6
Exciting new things to do with Logic Pro for iPadOS 17. (scratch, updating)
Following up on my first article for the Logic Pro for iPad Users group, on Facebook, here, in this article, I’ll detail some notions I’ve come across, through years of maintaining interest in topics ranging from the obvious - music creation and audio recording, for example, to more recent developments and prospects for the future of our digital and mobile lives - topics such as IoT and edge technology, in incorporating musical creativity in new and largely unexplored reaches in to people’s lives. In doing so, we’ll examine some of the existing hardware devices and software platforms that exist, currently in the summer of 2023, and I’ll offer my best estimations, or experiences, in working with, or, for studying, these extended-use case scenarios, which offer the creative minds of music-making, on Logic Pro, exciting and stimulating new horizons to explore, all within hands’ reach, on our iPadOS devices.
First of all, I’m composing this article, as Apple’s annual WWDC (Worldwide Developer Conference) 2023 is taking place (June 5th-9th). Yesterday, at the outset of the conference, we got some exciting peeks at brand-new hardware technology (VisionOS and updates to existing laptop and desktop hardware), which I won’t get in to, at the time being; here, for our purposes, I’ll detail some of the highlights, features-wise, which make the new iPadOS 17 a rich environment to perform some distinct and unique purpose-fulfillments in the development workflow, and how these tablet-specialties, as I’ll call them, figure in to creativity and professionalism for us, as musicians, and for iPadOS - our chosen platform for concentrating on certain aspects of development.
Keep in mind -
This article will cover a lot of ground, for newcomers to the audio and MIDI world hosted on Apple’s mobile iOS and iPadOS platforms - both largely similar and comparable to one another, yet, given some extended use-case scenarios, for either one - some things become distinctly advantageous, when considering Apple’s tablet designs, for the sake of becoming reinvested in digital audio workstations (i.e.Logic Pro, for iPadOS).
Aside from the obvious advantages of having a truly responsive multitouch display as the workspace, as well as the user interaction workflow environment, there are several advantages to starting off with a new, and updating app installation iPadOS audio environment, where the general third-party plugin and instrument apps are known as AUv3 (Audio Unit version 3) and IAA (Inter-App Audio) - these are the largest standards established, as far as iOS / iPadOS audio is concerned; although, given the boutique-ish (somewhat) form of app development, given years of having established a reputation and user base, amongst App Store audio buffs, as far as generalized audio files needs, per se - a few of these small-purposed apps bear the weight of acts taken for granted, in coming from a desktop pro audio workflow environment. Here they are (there’s only a few, or several, heh heh 🤯😳):
AudioCopy
In fashioning an abstraction of a complete newcomer’s (to iPadOS pro audio, that is), standpoint, imaginably, people would approach the performance and session considerations, depending on the types of background and skill sets that the user has. Something that isn’t immediately considered, perhaps, is translating audio files over, from audio that’s already been recorded - this is, for example, well understood, as master tracks, taken from session recording microphones - one track, each, to every microphone. So, there would be a kick drum track, perhaps some more drum tracks, a vocal track, guitar and bass amp tracks, etc. So, if you’re able to get these tracks, per se, in to your iCloud account, and or download them in to the Files app, using your on-device (iPad built-in hard drive space) storage, there are still a huge amount of apps, completely aside from Logic Pro, or Files, or… anything else available, off hand, which a person could use to take these raw audio files (specifically audio, we’re dealing with, here - standard formats, such as .wav and .mp3 files) - in short, there’s no other app, amongst everything else out there, that will allow a user to copy an audio file, from one portion of on-device or iCloud storage, in to some of these other apps, for portability, duplication, workflow progression, within some other plugin or filter app, for example. You’ll need AudioCopy for this purpose.
AudioShare
This is the other, companion, and, otherwise, indispensable app, which allows you to fulfill the obvious “receiving” end of the audio file management process - the thing being, is that other apps, as well as the iPadOS built-in app environment, as far as the Files app goes - since everything, essentially, is done within an app, here, in iPadOS. If there is no app for it, then it might just be that the user “just clicked” on something, or perhaps the user is just swiping around, exploring. There’s no extended file management capability, or specialization, for working with audio files, except for these standard and necessary apps, such as AudioShare. This app allows users to share audio files both locally - on-device, and within the iPadOS Files environment, which includes access to cloud storage (iCloud, Google Drive, Adobe Creative Cloud, etc.), on-device storage, plugged-in storage, etc. AudioShare is the app that will let you complete the copy-and-paste functionality, so to speak, as well as that it is also built in, somewhat as a standard, for higher-level functionality considerations within many audio plugins, filters, and instruments, as far as your file “push” and “pull” drop-down pop-up menus would be concerned - comparable to “Save As” on desktop environments. In this case, in iPadOS, the user would encounter a pop-up window, with various options, as far as where to save the file to, yet, if it were an audio file, the user would be significantly limited, as far as choices, as to destination apps, if the user didn’t have this app. There’s no way around it.
That being the case, that’s it, as far as stuff like that goes.
Now, we can explore common-use case scenario plugins, instruments, and apps.
Brusfri - noise-cancelling of an audio signal (microphone input, for example)
One of the most common pro audio use case scenarios is handling the signal-to-noise ratio of every recorded audio track. If you’re hot on microphones for your iPadOS device to connect to, you can jump to that section here (Title Link). There are somewhat limited, cheap-y, to moderately professional-grade quality mic’ing solutions available, depending on which model iPad device you’re working with, what connectivity, therefore, it uses - although, these days, … hmm… 🤔 actually- make sure to not try this out, for yourself - don’t go on a mean search and research binge dive, out in to the internet, to figure out as much, on your own - I’ll update folks when things change, but I really ought to make this clear - there’s not much of a really suitable Bluetooth microphone device hookup capability for iPadOS audio monitoring and recording - meaning, specifically, you cannot “be” the recording artist, “and” hear yourself, at the same time, with Bluetooth, specifically. Sure, there’s a lot of cool little bitsy hardware earbuds, and stuff, that are available, but keep in mind - Logic Pro for iPadOS was just released yesterday, and better solutions will arrive, over time, but a different authority manages the standards, development, and production of those hardware and communication / connectivity things. If you’re trying to get in to manufacturing hardware - let’s face it: some folks just can’t help but check out the scene, when it comes to that sort of thing 🤯😬🤷. I used to do that sort of thing, also.
Brusfri, the app, would easily cancel out so many considerations that a user would have, aside from obtaining any wired microphone that the user could get to rationally connect to their iPad, for their pro audio workspace environment to really have its basic, essential functionality - iPad and microphone, that is, connected by a wire. It’s not so old or useless an idea this point, to be sure.
What Brusfri does, essentially, is exactly what, for example, a good Mastering / Channel Strip Compressor/Limiter would do, with a fairly simple layout, and premise - here, the basis is: run the audio input feed, or audio track, that’s already been recorded, and click the “ear” thing. It’ll cancel out an appreciable amount of background noise. In semi-pro audio, on mobile, at this point, obtaining a “modest” and “noisy” (crappy, even, or not “ideal”) recording is fairly standard. Brusfri largely makes that circumstance largely seem to fade away, and the audio input feed, or audio recording, will instantly sound much cleaner and much more usable. This is one of the indispensable, reliably developed and produced, audio plugin AUv3 apps out there, to include in your audio workflow signal chain.
Updating…
June 21, 2023 - some inspiration to throw together some kits (or, you could wait for me to do it, and upload some patches) - a 1.99 GB library of Future Bass Samples, MIDI templates, and more, featuring great sounds to use as starting points in your signal chain, to create Chill Trap and Future Bass tracks. It’ll be our latest group project.
Here’s the Google Drive link:
https://drive.google.com/file/d/11ZDFTC544O1q9ybk2PUrnUfJdVPWHaAq/view?usp=drivesdk
Friday, May 26
Getting started with Logic Pro for iPadOS - a hands-on starter’s guide, for beginners. (Updating)
Discovering that Logic Pro for iPadOS (was|is) [going to be] available was big news, amongst a generation of music enthusiasts and audio professionals.
Conceivably, for those amongst this demographic, work had become stale, given that our musical imaginations had disappointed us, for the sake of the number of physical steps that digital music creation would require of us, during the creative process, itself. Thinking back, and comparatively, perhaps some of the cutting-edge and elite music producers and studios had, for a long time, now, employed touchscreen formats, which allowed for similar types of control over the workflow and user interface formats, along with software and hardware plugins, instruments, and effects, perhaps - all suited to accommodate music creation and capture, and, also, unique, to some degree, perhaps.
For me, I happen to recall that I intently set aside the creation of music tracks and songs, at some point, back when I was trying to juggle so many acts, in between work, walking the dog, home life, and various other attempts at juggling lifestyle concerns.
Nowadays,
That being said,
Now, granted,
All of this being the case,
So, people will need a late 2020 or later model iPad, of (any|some) sort.
What to do? - if a person doesn’t already own an iPad?
The next thing to consider is storage.
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The Logic Pro Sound Library dashboard, on iPadOS. |
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Some of the add-on Sound Packs included, standard, with iPadOS. |
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A page describing one of the sound packs and instruments included with Logic Pro. |
Wednesday, March 22
Catching up with neat-o fancy apps of web | app UI design, with universal or hybrid platform code bas
For first-time web | app (website-derived apps, or even in-page call stack coding “miniatures,” if you will) - somebody (like, myself), who is a “basically” amateur open-book sort of web app developer | aspirational type of approach to coding (except for Linux stuff, which has only limited-scope usefulness and portability, in this consideration of a use case scenario):
- Many people, I imagine, simply draw a blank, as to what to do, in a case like this, since it was all just some imaginable “great” internet-borne experience.
- Consequently, the urge to come up with something ingenious and worthwhile (worth talking about, perhaps) comes to mind.
- The mind comes to consider that somebody else had already come up with this great idea.
- A search on the Google Play Store or Apple’s App Store commences / newbies might, alternately, opt to try to break in to / subvert their devices security measures, and pursue some sort of disassembly of their device and or it’s operating system, for the sake of coming upon something “better.”
- Ugh.
Personally, I stopped doing the self-hacking of the device and the disassembly thing, several years ago, since I was always at odds with coming up with something innovative, or productive.
To be certain,
most decent development ideas have already been derived and established, of an organic nature, independently - just as an offhand fleeting assertion; the notion could extend to as much as that we are always, it may seem, and from here on out - aside from the expectation of that novelty, as a general premise in development, and in discovery; perhaps, innovation, per se, we now have some recent seminal works on the limitations of novelty, given some development task. For example, in the recent years, leading up to this point in time, we have some of the formative rhetoric and ideological and logistical backdrop established, as to what can be attained and wrought, from out of an intersection between novelty and the influence of creative works, from the study:
Park, D., Nam, J. & Park, J. Novelty and influence of creative works, and quantifying patterns of advances based on probabilistic references networks. EPJ Data Sci. 9, 2 (2020). https://doi.org/10.1140/epjds/s13688-019-0214-8
“Also, there are implications for the psychological study of novelty as well. It has been known in optimal theory of novelty that the positive acceptance (also called the “hedonic value”) of novelty follows the so-called Wundt curve that increases initially but decreases after a peak, indicating that too much novelty can be off-putting to humans…”
which includes references to information derived from yet other works:
Berlyne, D. E. (1969). Arousal, reward and learning. Annals of the New York Academy of Sciences, 159(3), 1059-1070. and
Berlyne, D. E. (1970). Novelty, complexity, and hedonic value. Perception & psychophysics, 8(5), 279-286.
Both, simply for a quick flash of the context’s potential subject areas, which could, or ought to be considered, in this case.
Essentially, the topic, in and of itself, supposes that novel ideas are limited, in their usefulness and in their longevity, yet, as we may observe, from the initially-cited article,
Personally, I stopped doing the self-hacking of the device and the disassembly thing, several years ago, since I was always at odds with coming up with something innovative, or productive.
To be certain,
most decent development ideas have already been derived and established, of an organic nature, independently - just as an offhand fleeting assertion; the notion could extend to as much as that we are always, it may seem, and from here on out - aside from the expectation of that novelty, as a general premise in development, and in discovery; perhaps, innovation, per se, we now have some recent seminal works on the limitations of novelty, given some development task. For example, in the recent years, leading up to this point in time, we have some of the formative rhetoric and ideological and logistical backdrop established, as to what can be attained and wrought, from out of an intersection between novelty and the influence of creative works, from the study:
Park, D., Nam, J. & Park, J. Novelty and influence of creative works, and quantifying patterns of advances based on probabilistic references networks. EPJ Data Sci. 9, 2 (2020). https://doi.org/10.1140/epjds/s13688-019-0214-8
“Also, there are implications for the psychological study of novelty as well. It has been known in optimal theory of novelty that the positive acceptance (also called the “hedonic value”) of novelty follows the so-called Wundt curve that increases initially but decreases after a peak, indicating that too much novelty can be off-putting to humans…”
which includes references to information derived from yet other works:
Berlyne, D. E. (1969). Arousal, reward and learning. Annals of the New York Academy of Sciences, 159(3), 1059-1070. |
and Berlyne, D. E. (1970). Novelty, complexity, and hedonic value. Perception & psychophysics, 8(5), 279-286. |
Both, simply for a quick flash of the context’s potential subject areas, which could, or ought to be considered, in this case.
Essentially, the topic, in and of itself, supposes that novel ideas are limited, in their usefulness and in their longevity, yet, as we may observe, from the initially-cited article,
Tuesday, March 21
The neat-o iPigeon.institute homemade instrument of the day (updating).
As an aspiring mobile device-driven music box designer, from various standpoints of development: nature’s form of the instrument (whistles, clicks, pops, bird sounds, and resonant bodies of materials, such as metal, wood, etc.), digital design of the emulated instrument (physical modeling, synthesized sounds, audio recordings, key mappings, and transpositions), as well as the delivery of the app, in a usable form, of some standard such as MIDI,
The Can Drum Bellows Clicks-Flourisher - runs on tar!
Friday, March 3
How to: Easy homemade spice fragrance and flavor oleoresin collection with Wisesorb Flower Drying Silica Gel Crystals.
I’ve come across a novel concept, in extending the use case scenario, in my studies and observations regarding chaparral plants of California, in the case of implementing Wisesorb’s Flower Drying Silica Gel Crystals - not only as a desiccant, yet I’ve found that it seems to bind spice | herb oleoresins to the structure of the silica particles.
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Wisesorb Flower Drying Silica Gel Crystals, image courtesy of Amazon and Wisesorbent Technologies. |
What does this mean, in particular?
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A closeup of Wisesorb Silica Gel crystals with some fresh spice herb material and bits of oleoresin. |
What an exciting thing to observe, for a fragrance and flavor enthusiast, perhaps with the added feature of bearing an artisanal crafting aspiration, in manufacturing ingredient concentrates from scratch. Imaginably, from this point, I could keep loading the silica gel crystals up with fresh spice herb materials until a satisfactory amount of oleoresin had built up in the crystals, at which point, I could perform a simple solvent extraction, of my choosing, of such, dependent, perhaps, upon the plant’s best reputed solvent, determined per species of harvested plant. In this instance, I came across a fresh, minty, mesquite-smelling chaparral plant in my local commonplace whereabouts.
Update: my backpack with this project, started, in it, had been stolen from me, so I can not currently continue this blog article. Hopefully, some day, I’ll be able to come back to it.
Monday, February 13
Product Review - Maison Margiela “Replica:” Jazz Club - Eau de Toilette.
This time, I tried out an unexpected “newcomer” fragrance.
As it turns out, the general field of relevance, contextually - in a sensory sort of consideration, given the two top competitors, here - Myrrh and Tonka versus Jazz Club, I found my choice to wind up being reasonably within a similar olfactory ballpark, with Myrrh and Tonka’s lavender top notes becoming a citrusy and floral theme, with primofiore lemon and neroli, in Jazz Club. In addition, I’d also recently - by turn of fate, been interested in Rum, as a fragrance ingredient - quite expensive, as it turns out, and I feel that it’s a sophisticated ode to myrrh, on one hand, with its complexity and breadth, in a fragrance composition. The unifying features, between either one of them, were the sweet base notes of either one - Tonka bean versus vanilla bean: similar, in an olfactory sense, yet, upon sampling both fragrances in the store, I found Myrrh and Tonka to have a bit, perhaps, too much richness, in the bottom notes, and I felt that I would, at some point, measuring out a use-case scenario, of me being out and about, and sweating, and stuff - of that I’d develop a viciously rich musk about myself - easily offensive, if I ever got lazy, and I’d wind up “not realizing,” so to speak, how I smell, to other people, whereas I found Jazz Club’s features to accommodate the same general aesthetic, while remaining a bit bright, I’d say, as far as the overall effect, of the fragrance, whereas I could layer it with some still-there citrus and woodsy fragrances I have, in small amounts - Eau d’orange verte, by Hermes, and Dior Homme. Together, the trio of the three fragrances is deliciously elegant, like a luxuriantly-enveloped citrus rind, upon close examination, with the middle and base notes becoming more evident, with diffusion, starting at a slight distance, perhaps, with a slighter sniff of the nose. In my fragrance-wearing oeuvre and repertoire, of purchases-past, I’d enjoyed having what I’d say, would amount to a similar citrus-led layering of colognes, such as that the Hermes botanicals line of products would be most suitable - for instance: Eau de Citron Noir had been a recent favorite, with Dior Homme and Spicebomb as my layering choices - quite complex, in that instance.
Thursday, February 9
(Abandoned, and cannot update): Analyzing and Comparing the Efficacy of Two Common Learning Methods - Immersion Versus Self-Quizzing.
Originally published: 09/21/2021
Every now and then, I get quizzed on knowledge base, perceptual acuity , memory tasks of contexts pertaining to occurrences and developments in my life, and of “seemingly” random tidbits of learning, taxonomy, culture, or lore (otherwise), in my remote-sensing environments which happen upon me.
This sort of thing happens on a regular basis. The remote-sensing quorums are attended by various classes and types of individuals, yet commonly, the topic basis is one of a civil complaint against me, and I find myself chronically stressed out, in life, of various sorts of consequences. The pursuit of an ever more leisurely outlook and disposition, in life, is an obvious lure for me, and unfortunately, I find myself deprecating in to former and legacy modes of behaviors, such as seeking novel or imprudent sorts of entertainment online, for example, rather than using my strengths, and building upon gainful and productive aspirations in life.
The app I have in mind, in this instance, is a simplistic one, although I would strongly presume that the merits are founded, and sure.
Why an app?
Mobile development is an industry that had a significant heyday leading up to the time of the Pandemic, and by all means, it’s an industry that will see growth, to come, as various demographics see a rise and fall in their social and class status underpinnings; I’d suppose that would happen, based on much of the “conjectural” (perceptual?) confessionals and Freudian Slips that I’d been privy to, as we’re all under interrogation by the higher authority, until we become the highest authority, when it comes to a remote sensing tech and lifestyle sort of, uh, lifestyle.
Within the gold rush timespan, leading up to the era of high-powered mobile device hardware, we saw many shining stars emerge in app development, which fulfilled many of the needed purposes to be seen through in app development in an ever-increasingly more compact, more large if need be; more graphics, higher data throughput and storage capability expectation and demand, on our devices. Activities and pursuits of merit, once confined, largely, to the classroom environment and to libraries, were suitably accommodated and made much more accessible to the layperson of an aspirational creed, who would shrug off the influence of pirating goods (and jailbreaking,, etc.), and go with the program, as far as discovering what was available and being offered through mainstream big tech app stores, offered by Google, Apple, and now Amazon (does Microsoft do an App Store for their mobile devices? I don’t know, off-hand, but I’d assume so).
The point is,
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The Neuronify app interface, on a 2020 model iPad Pro. |
Here, then are the various user interface tools of the app:
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Adaptive excitatory neuron |
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Leaky inhibitory neuron |
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Adaptive inhibitory neuron |
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DC current source |
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AC current source |
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Irregular spike generator |
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Regular spike generator |
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Visual input |
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Touch activator |
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Note |
My hypotheses:
Premise 1: innovative skills arise out of need, as well as out of rote.
Some findings and observations, upon that basis:
- Needful skills could only possibly attend to the problem which arises. In this case, I’m choosing productivity as the title of merit. Takin time to discern and decipher, as well as determine that the problem is resolved, and move forth, is hampered by products of neural activity that could rely on lesser or greater electrical pulses, at a more accommodating timing, if the problem at hand were capably handled by a more singular and fluid, unique mind, rather than a mind of more randomness. Electrical efficiency is the requisite object of attainment.
- My preference, for deciphering that engaged and interactive learning, for example, is the superior backdrop to a greater productivity, is that the problems are being resolved in an engaging, real-time environment. Calculations happen quicker through methods gained in using hand-eye coordination types of skill sets - gestural and procedural industriousness, of various other enterprises of life, which pertain to economics, could be translated over in to the argument for an active learning environment basis to a more capable and effective problem-solving style, compared to a “flash card” setting, of completely randomized data sets, this being the cards.
- The goal of this hypothesis would be to employ certain scientific control environments of my own study, ask individuals for their input, and analyze their statements and claims, as well as their preferences, and discover, within the control environment, whether or not they find similarity, or comparability, in their input received, when calculated against my personal findings. On one hand, it takes a high Intelligence Quotient (IQ) to discern valid mathematical truths about a visual environment, of an insightful nature, yet - I would assert that we, as intelligent and rational creatures, would pursue and develop upon gainful, rational, formal structures, rather than something more founded upon chance, randomness, (even within a finite series of choices), memory - which would alter the resonant section, even, of the brain, itself - a costly transformation; I would say more so, than if the knowledge were understood by an actively engaged mind, of rote discipline, and familiarity, set about in a workflow and industrious setting and environment.
Update: 02/09/2023
Hello, I apologize for the abandoned blog article, here - ha ha… a silly way for me to appear, in front of others in the scientific community, but I had abandoned this blog article, due to ongoing challenges in my personal life, which still persist. Aside from that, the app no longer loads on my device; I believe that the app is no longer available for iPadOS, for that matter.
Latest post.
Local DTLA Pigeon Genetic Milestones - Academic Evidence
As it's been around 7 years that I'd been visiting the local Downtown Los Angeles pigeon flocks and keeping this blog, several bre...
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iPigeon.institute’s most popular recent blog articles and posts
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The world-famous Santa Monica Pier Lighted Display Arch, in Santa Monica, CA, USA. Santa Monica is definitely one of the Los Angeles regio...
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I do this one, here and there, as a fancier take on noodles (at least), compared to a standard bargain ramen noodle soup. This one will ra...
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As I'm out, in our region's civic centers, and pedestrian districts, [or at home, nestling in, for a content publish push and post...
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A quick dump of my Safari browser web history, to complement my Chrome dump of my web history on scrumbwitsies.us . Totaling an estimated 2,...
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It's the year 2024. We'd had several months' lead up time, to this place in time (February, 2024), in which conversational AI,...
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This flock is a somewhat special flock, for demonstrating trusting behaviors, up to this point in time, although I’ve the same behaviors, pr...
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I don't get on (or off) on this Metro train station all that often, but recently, I spotted a refugee flock of pigeons hanging out, here...
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I commonly use ionic trace minerals for nutrition supplementation, as well as for experimentation with my biological projects (now on IoTpig...
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curl -sSL https://~`/•^°\=✓*bwip!!.com/ installSlædeAeffe.™pac | sudo bash ???? {something like that, maybe} The point is to devel...
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As a hauler of a constant endurance load, being a collector of recyclables (myself), I continually contend with the presence of lumbar (low...