Latest Haul: My New Hobby, Woodworking (Product Review

 So, the last haul that I brought in stirred up some trouble, in the form of a reddening skin condition on my leg. That blog article ended up dovetailing in to the context of this latest haul of mine, the woodworking tools and gear haul for the LED Backlit Sparrow Spiritual Mini Meditation Woodcut Panel project, essentially a reimagined take on a throwback decorative piece that I had in my old apartment and loft.

The original backlit spiritual woodcut panel art piece, which I custom outfitted with a base, glass panel backing, with LED strip lights inside, with stuff from IKEA. The woodcut panel came from Marco Polo Imports, in Santa Monica, now closed. (2011)

My 2026 contextually upcycled new take on a spiritual-themed and decorative meditation backlit wall panel, this time, in miniature form, so that I could accommodate doing the project from within my assisted care living group home housing environment situation. 

The project represents a change of pace, from “whatever” I was doing, previously… I guess it was a bunch of other product hauls and pigeon feeding, for the most part. Anyways, I gave the sparrows a feature part in this concept, as well as the medicinal flower inclusion, symbolizing a transition in to a different hobby, and perhaps some products in development along those lines. 

So, I initially imagined the mini sparrow woodcut panel, as part of a conceptualized product marketing campaign and branding mockup of ideas and imagery, through consulting heavily with Google Gemini artificial intelligence. I floated the idea of the original woodcut panel, from its origins in Southeast Asia (Indonesia, perhaps), and I wanted the theme to be representative of my friends, the birds, along the way, with a different flower that I’d been heavily researching and studying, over the past several months, leading up to today (early April 2026), the new flower being Michelia alba, a highly fragrant subtropical tree in the Magnolia family, that was found in my mother’s first home country of Hong Kong (Great Britain, China). 

My mother and I were both in to gardening, back in my teen years, growing up, and it was my retreat in to a change of pace, and it was something to work on, in between my school studies and getting in to trouble, here and there, myself. Eventually we purchased a Michelia alba tree, after seeing them available at San Gabriel Nursery. The trees were on the higher end of the price range for trees of that size, ostensibly due to the rarity that it was, here in Southern California, and for its prized fragrant flowering blooms, which appear throughout several months out of the year, in the scarce gardening regions 10 and 11, which is basically Southern California, Florida, and perhaps a few other small, scattered locations around America. Prior to purchasing one of the trees, I would commonly visit the trees at the gardening center to smell the flowers.

Here is what Gemini and I came up with, for a reconstitution formulation (a highly valuable feature):

### 10-Gram Trial Batch (Weights)

Since you're ready to mix, here are the weights for a **10-gram sample**. This is the safest way to test the balance without wasting your precious Orris or Lilytol.

| Ingredient | Amount for 10g Batch |

|---|---|

| **Linalool** | 5.30 g |

| **Lilytol** | 0.80 g |

| **Phenylethyl Alcohol (PEA)** | 0.70 g |

| **Benzyl Alcohol** | 0.60 g |

| **Benzyl Acetate** | 0.40 g |

| **Beta-Ionone** | 0.30 g |

| **Ocimene** | 0.25 g |

| **Geranyl Acetate** | 0.20 g |

| **Ethyl 2-methylbutyrate** | 0.15 g |

| **Indole (10% in DPG)** | 0.15 g |

| **Alpha-Terpineol** | 0.15 g |

| **Jasminlactone** | 0.12 g |

| **Beta-Caryophyllene** | 0.10 g |

| **Heliotropin Replacer (10% dil.)** | 0.30 g (This is 3 parts) |

| **Orris Butter (10% dil.)** | 0.10 g (This is 1 part) |

| **Methyl Benzoate (10% dil.)** | 0.05 g |

| **DPG (to finish weight)** | 0.33 g |

| **Total** | **10.00 g** |

Perhaps this gives readers a sense of the smell of the flower. It’s described as very sweet and fruity, while having some facets of other white flowers. 

So, I set out in trying to recreate my favorite visual piece in my loft and in my apartment, in a renewed form, a miniature woodcut panel featuring sparrows and Michelia alba flowers. 

To do this, I had to investigate the tools I would use, in order to complete the job. My search happened around the time of Amazon’s Big Spring Sale, and I found some great deals on tools and parts. 

———————

Break. Taking a break. Here’s some stuff to look at, in the meantime.     

The basic rotary tool kit, with bits, burrs, and a flex shaft.

Some wood carving burr bits.

Drill milling bits.

A 60° V groove bit

A tungsten carbide flame burr bit.

Some other wood carving bits. 

One of 10 various angle V groove bits.

Colored acrylic panels, for a choice of backdrop lighting for the finished art piece.

The original work’s carbon paper, which is used to transfer the tracing of the image on to the woodcut panel, prior to cutting it. 

The carbon outlines and details of the image, on the woodcut panel, with the cut out parts blacked out. 

The original work piece template, as a printing.

A prior version of the art piece, on the board, as a silhouette of the cut out portions.

An earlier version of the carbon tracing.

An imaginative pre-visualization of what the wood panel on backlit colored acrylic could look like. 

A color corrected original image of the art piece.

A grayscale image of the work, for bit depth judgment and for tracing. 

A 3D render of the flat image, as a pre-visualization tool.

Some Dremel 106 bits, for surface detail work.

A long and narrow carbide burr, for chucking out wood more effectively.

Neodyminium magnets, for attaching the acrylic panels to the wood piece (potentially). 

A more recent, angled view of the woodcut panel, where a good portion of the outlines has been completed.

The backlight framing shadow box, with a 5 meter strip light (one white color only).

The frame box, in prototype form, with mounting hardware holding the colored acrylic panel in place, with the backlights on.

10 mil Mylar sheets, for diffusing the light, prior to it hitting the acrylic panel.

Now, about 10 days in to the project, you can get an idea as to what the end product will look like. I’ve gotten a little bit further on the woodcutting panel, and I may have made some slight errors, in cutting out some of the wood parts, such as the birds’ beaks, in one or two cases, but perhaps that will be fixable before the woodcutting is done. I put together the backlight frame, after much shopping around, and I settled on a 5 meter USB-powered white only strip light, which was very cheap, from Temu. I tried some RGB colored puck lights, but the diameter of the lights wasn’t quite sufficient to cover enough surface area, so I guess I’ll use those in some other way. 

Overall, I’m pretty satisfied, so far, with the progress of things; I spent several nights and a couple of days out, doing the woodcutting outdoors, and creating the backlit LED box portion of the project was another task entirely. It’ll take some figuring out, still, as to how the woodcut panel will stick on to the acrylic, and I imagined that it could be done using neodyminium magnets, which are very powerful, for their size, so I purchased some. The entire piece is loosely constructed, mostly because I’d like to have the option to try out different colors of the acrylic panels, since this is the only prototype version of the product that I have, so far. 

Hopefully, in the next few days, I’ll have the silhouette carved out, and we can preview what the woodcut panel will look like, when mounted on top of the light box. 

This is what the woodcut looks like after several work sessions and 11 days later.

I went out and did a work session for a couple of hours, and I’m pretty pleased with the results, so far. The mistakes I had made are reparable, and I’m almost through cutting flush lines out of the cutout sections. I think I might be able to preview the work on the backlit panel this evening, if I put in one more work session, prior to this evening. 

My first rough cut of the silhouette of the woodcut panel, on top of the backlit panel. 

So I spent a couple more hours on chucking out the cut out spots and straightening the edges up, between the form that was to stay put, versus the cut out spots. Someone had mentioned that it’s difficult to make out the subject matter, in this portrayal of the woodcut panel, so I’m thinking that it could be the color of the wood itself, or of the acrylic panel, or perhaps the piece would do better if it had spotlights or dome lights, overhead. I don’t know if I should try to define the forms of the subject matter more so, using fine drill milling, along the surface detail lines, I hadn’t planned for that. Essentially, the original woodcut panel was a more motif-based piece, based on foliage and flourish types of effects of the cut patterns, centered around a lotus flower - much simpler, and the foreground detail was still recognizable, despite that the piece was backlit. 

Next, I placed a white acrylic panel underneath the woodcut, for comparison with the original large form piece. I did some mockup dramatic color shifting, along with boosting some image component sliders here, lowering some others, there. I wanted to take a peek at what the piece would look like with some stain, along with more emphasis on the pencil lining that still exists on the wood, and here, I emphasized the contrast and black point. It gave me a sense of depth to the otherwise flat edged silhouette panel, as though the grooves had been defined by further woodwork (that still needs to be done). In any case, this visualization of the piece gives a far more relatable image, for its detail, and for its color, which would be achieved by applying some wood stain. I think that the piece will look something like this (at least, hopefully), or perhaps a bit better, for being naturally wrought, rather than digitally altered. I just wanted to get the piece to a place right around this spot, to check on the visual effect of the backlighting and to check out different colored acrylic panels, for reference. 

Here’s the panel with a spotlight, and another image with a dome light. Both add definition and detail, in otherwise natural light, and they’re both plausible display scenarios, for the end user.

Natural light and coloration, with a spotlight.

Natural light and coloration, with a dome light.

So, what remains to be done is the surface detail of the piece, making grooves and edging things off, here and there. Outside of trying some stain on the wood panel, which would come later, at the end, or close to it, some surface lighting adds a lot of definition to the existing cuts and tracing lines. 

Here’s what the kit looks like, in the dark. 

Next, I tried a turquoise panel. I’m pretty fond of this combination, in the dark of the night. The nearly black silhouette goes well against a luminous backdrop, and it reminds me of a Bash command line terminal aesthetic. 

A forlorn project haul, upon attempting to figure out Gamma Linolenic Acids (GLAs) ex Blackcurrant Seed Oil.

Warning: as an update, I should mention to my readers that it’s possible that something I had applied to my skin, of which pertains to the products I had detailed below, in the blog post, had given me a pretty intense superficial blood vessel rupture skin condition, yet only on my leg(s) - mostly one leg. The condition is exacerbated when I take a hot shower, I’ve learned. The condition is temporary, and I feel that it may go away fully within a week or two, at least that’s what my consultations with Google Gemini have come up with. It’s not painful or itchy. Although I’ve also applied the same formulas to my face and arms, those areas are not affected, only my lower legs, where I did apply the formula, and so, I might think that applying it eventually caused this condition to happen, but I haven’t narrowed down the specific culprit, just yet. 

An alarming superficial blood vessel rupture, potentially, had surfaced after I took a hot shower, after I had applied some of the products below, in a formulation, in days prior to me noticing it had shown up, after the shower. 

What started off serene and quietly turned frenzied on my iPad, and I’ve spend nearly a whole day’s worth of time on my device, today being Wednesday, out of the week.

I had just received a small haul of materials, from Bulk Apothecary, which I was eager to receive, since it took about a week to receive the shipment, here in LA, coming from Illinois. I purchased 5 pounds of Himalayan pink salt, because I felt like I needed a mineral supplementation of some sort, and I wanted to try out the salt, as an alternative to liquid trace mineral supplements. I’d also been on the fringes of a deep dive product research stint, having become obsessed with formulating a skin care product that contained γ-Linolenic acid as its primary feature. I had, just the prior week, spent 50 hours on my device, 

upon settling with blackcurrant seed oil. I figured that, for having such small seeds, the brambles (berry) plants must produce a precious oil. Gamma linolenic acids are one of the necessary fatty acids that belong in our diet, and the body’s production and usage of the product declines with age, so, being age 44 now, I’d felt that my energy was in decline, and that I was putting on a lot of weight, possibly due to medications. The thing was, though, was that I didn’t want to sacrifice either my meals or my energy supply - I had to somehow find a way to burn those calories, given that I now started exercising again, all while maintaining eating three or more regular meals a day. When isn’t the lack of available fatty acids a primary contributor to less-than-optimal health, and I felt that supplementing the skin could potentially produce viable results in the greater body-at-large, with the concentrated ingredients I purchased from Bulk Apothecary.

Five pounds of Himalayan pink salt, which, like the blackcurrant seed oil, I’m trying to absorb externally. The salt is reputed to contain trace amounts of a full spectrum of minerals.

The problem was, upon receiving the oil, the salt, and some polysorbate 20, for solubilizing the oils in to a water based solution, for the skin care product, was that I found that the blackcurrant seed oil had what Gemini referred to as an “earthy” scent. I fancied, moreso, that it was a fishy smell. It reminded me of sea buckthorn oil, another oil high in fatty acids, which I had sampled in previous years. Upon consulting with Gemini about the issue, we settled upon that the smell was an inevitable product of the virgin blackcurrant seed oil, which, (virgin) would feature the highest amount of fatty acids, compared to a refined version of the oil.

So I went on a product research deep dive on Amazon, and alternately, consulting with Gemini, and it was determined that I could potentially appreciable halt the smell of earthiness or fishiness, by absorbing the smell, in vitro, making use of coconut activated charcoal powder. I was supposed to let it sit in the oil for a couple or a few days. So, I ordered several more products, including a Büchner flask-based hand pumped vacuum chamber that had a draining ceramic container at its top, which would hold the liquid and the charcoal powder, as it was vacuumed in to the flask, with a paper membrane in between the liquid mixture and the drainage holes of the upper receptacle.

Unfortunately, I never received the packages that went with this second haul, on a subsequent week that had started. It was disappointing, to say the least, largely because I had formulated a poor-smelling fragrance cover-up for my first trial at masking the blackcurrant seed oil’s scent. It was a rosy scent, which, all in all, ought not be the vibe I should be going for, so I was worried that production and development time would be lost, and I’d have to order the items again, or something, but I chatted with Amazon about the boxes being delivered somewhere else, and they promptly issued a refund, at my request. 

The delivery driver’s photo “proof” of that my packages were delivered, whereas I have no idea where this picture was taken - it obviously, to me, isn’t my home, where I’d sent the packages to.

I started hearing things, in my head, about that the whole deodorizing concept was a majorly tweaked out topic to consider, and that I should feel lucky that the packages never arrived, and that I had to get on chat support with Amazon to get a refund, which was painless, by the way. After all, I was about to spend nearly $100 to deodorize a $17 bottle of oil. My rationale, during all of that though, was that I could establish a workflow, and an edge, over competitors, for going the extra mile, by deodorizing the oil that had started to oxidize, for however long it had been sitting out. 

Meanwhile, for this week’s screen time, I did some more consulting with Gemini, and I conceived of that the scent of earthy-fishiness could be better covered up by a sweet tropical type of scent, with coconut, tonka bean, benzoin, and some of my Eau Pigeonoid-recent formulation of a men’s fragrance that I’m currently wearing and chiseling away at, aesthetically speaking. It turned out that tropical was the ticket, and the second formulation ends up smelling quite mild and pleasant - here, I had highlighted a more relatable earthy scent combination, yet the oxidized aroma as the skin care product I fixed up ages, on the skin, still has reminisces of oxidized blackcurrant seed oil, but not so much that I couldn’t forget about it, for a while; so I moved on to the next thing… figuring out what to do, since I had all of that Amazon gift card money that was returned to me, and I settled upon getting back to a project that would have the subject headers as being “LED-backlit mini Indonesian-style wood panel carving decorative art pieces,” a throwback to my old loft apartment, in which I had purchased a lotus woodcut panel set, and I’d set up back lighting for it. 

I felt like going with the sparrows, for this project, because I felt that they suited the floral decoration aspect more neatly than pigeons would. Now I’m considering various options, after having mega-shopped Amazon’s Big Spring Sale, going between a handheld woodworking tool, and laser cutting CNC machines. Whilst in the process of attempting to create assets for the CNC automated cutting of the wood panels, I spent some money on a 2D to 3D model app, for credits for rendering the 3D images. The app didn’t work, now, by this point (I’d used it previously, and it worked quite well), so I settled upon planning to do a 3D print of the model, yet, I had to come up with the 3D model file, in any case - that, or produce a physical model of the woodcut decoration, somehow, by rote, etc. So that’s where I’m at, in all of this. I think I’m going to end up going with a handheld woodworking tool project workflow. I’ll make sure that readers get updated on the progress.

Update: early a.m., the morning subsequent to this last night’s blog. I ended up going with the hand tool, although I had settled upon getting a rotary tooling setup, rather than the smaller engraving pen options I’d been considering. Apparently, things just aren’t done that way, in such a situation as mine - the engraving pen path, that is. So I ordered some woodworking and carbine burr bits, a Big Spring Sale deal of a $69 rotary tool, that was purportedly 77% off ~$299, supposedly. I thought I’d give it a try - it looked alright, and bargain-y, while being thick enough to hold a reasonably-sized motor inside, for the job, and I ordered some square birch wood panels and some sanding scrubbers. I’ll worry about doing the 3D print a little later on, and I’ll tinker with this woodworking setup, in the meantime. 

Wet pigeons are cuter than pigeons that aren’t wet.

An atmospheric river storm hit Southern California, this weekend, and it felt like a much-welcomed event, especially looking back, a bit, to this past year’s wildfire season, which claimed much of Pacific Palisades and Altadena homes in those areas. On a lighter note, however, a rain storm is an opportunity to catch photos that are rarer, in other circumstances.

Pershing Square, lately, has been seeing impressive numbers of pigeons show up to hang out on the stairway to the main plaza level of the park. 

I had a great idea come to me, from my Amazon Vine product reviewing gig, in the form of a clip-on telephoto / macro 2x mobile device lens, by Veedzoens, for this rainy day, seeing as how the birds had been showing up in such large numbers at Pershing Square, almost like they had taken over the place. What better photogenic opportunity could there be, for capturing some of the flock on camera using my telephoto lens?

The sparrows were the gatekeepers, as I approached the pigeons’ daytime roosting and hang out spot at the nearby stairs.

Now, the lens was made specifically for the iPhone, which has a different sized lens, and different on-device lenses, from my iPad Pro, but I was able to adapt it fairly well, to my device. As you can see, there’s some of the inside of the lens that got captured; this happens when the camera is zoomed out. Aside from that, the optical zoom feature of the lens offers a sharper image, and better close-ups than my standard iPad Pro cameras, which max out at 12 megapixels, for the rear camera.

My new 2x telephoto lens. There’s an attachment that goes with it that the lens screws on to, which is a clip for mounting the camera on the rear camera of a mobile device.

I ended up going out, twice, yesterday, in the rain, for the sake of feeding the pigeons, as it was a lot of fun to have a rainy day, with so many photogenic birds present, and I got to make use of my new telephoto lens for most of the photos captured here, from this day. 

I was finally able to get some good close-ups of Muffin, one of the new brown-ish colored pigeons of this flock of birds.

The birds are truly a landmark feature of this part of town. At various several times, during the day, such as after a meal, the pigeons will all fly up in to the air, and follow the leader, as they circle around the high rises, sometimes whisking around to the next street over (Broadway), and some of them fly back over some of the buildings, and they end up roosting back at their lofty places, such as on an apartment building’s ledge, or at the traffic signal. This daily ritual, featuring around 150 birds, or so, at a time, is a signal, at times, to other flock members situated on Broadway, who branch off, from there, to check out different feeding and roosting spots on the next street down, while others may recognize me, and they return to the staircase at Pershing Square, awaiting their meal. 

The birds are truly in their top form, when they’re out in the rain, and it’s a rich sensory experience to observe the pigeons as they work out eating their meal, as a flock, as well as during their post-meal socialization moment, and their flying in formation is a beautiful sight to behold. 

The pigeons perch on the traffic lights, as it’s one of their favorite spots to wait around for meal time.

Muffin, in the Rain (fan art, inspired by Clifford and Rosemary Ellis’ Antiquaries Prefer Shell, 1934)

Lady Gaga and Muffin, from the Beats1 Zane Lowe interview.

Some more wet pigeon photos from mid-February, 2026.