Reducing Climate and Carbon Impact, Individually: Some Observations.

Here, in the Greater Los Angeles region,

people are generally commonly concerned with the quality and sustainable "health" of our environmental ecology. That being said, I've not gotten enough time in, in researching official documents and developments that had been put out (ostensibly): in essence, we hear, and see, in our news feeds, televised news reports, etc., that climate changes are coming, or are happening. I feel that, perhaps contextually, in the sense of a "spring cleaning," we can take an assessment of where we are, for the year's outset, and outlook, for that matter, being that spring would somewhat be the time for the emergence of conservational efforts that had been put forth, during the winter; things to consider, such as: had winter landscapes, with forward-looking "signs of spring" to look forward to - had these landscapes been planted? Are civic landscapes being maintained with care? "Does the population care, at all?" would come to mind, perhaps, in some cases, being that concerns and aesthetics such as this sort of civic upkeep markers of things to consider, had largely been disregarded, this year, with many landscaping jobs that could have been done, instead: seem to be simply "leftovers" of last year's trimming of the bushes, here and there, at times, I observed, out in the Civic Center of Downtown Los Angeles, for example, where many of the maintenance jobs, in town, also end up being disregarded, it would seem. 

Heading out to the Century City area, to check on the pigeon flock, out here, which I'd given much care for, I have the opportunity to hang out, and peruse a more upscale aesthetic, especially with the landscaping aspect in mind: planters had been planted, the planters are not "ruined" by the public, in general. I had some planting aspirations in mind, for better sustainability and management of my ongoing role, as a homeless person, out at all hours, as it were, as I move about, and around, in town, within the nitrogen cycle. 

I hadn't read "the book" on the nitrogen cycle, which happens to be available at the local Los Angeles Public Library Central Branch - although I did take a quick look at it (I know that it's there, at least, 😏 perhaps as a reference book [only for in-library reading, not for check out]). What I come to observe about nitrogen, at this point in time, is largely colloquial and common knowledge sorts of stuff. In my generation, we recollect the blockbuster movie hit, The Terminator, which featured one of our (both) beloved or reviled: [depending on individual tastes, I suppose] California governors - Arnold Schwarzenegger: a futuristic worldscape of a war-torn technological establishment, sworn to duty, thus bent on exterminating humanity (was it one of the sequels? I forget). 

In any case, many of us would recall, and reference - the hijacked tanker of liquid nitrogen that overturns, during a battle, and spills out its contents: a hopeless flood of sub-zero material that freezes the formidable shape-shifting, self-healing robot opponent - yet, only temporarily. 

With this in mind, the correlation I draw, as one of the few DTLA civic center homeless people, on  an ongoing basis, I feel... hmm <_<... I guess that I'm regularly feeling like I'm also being inundated with this liquid nitrogen substance, with how the slight nuances of windy drafts feel like they seem to have an "unnatural" slant, now, these recent years, in consideration. On one hand, I remember how cold I used to be, and it's definitely not like the cold of these recent years. These days, even the cold water is colder. It's not that I'd changed, all that much - I feel that some people, who indulge in bullying me, at moments like these nights, in which I stay outside, unwillingly, as it were, might be holding something with regards to "accepting change," (as folks familiar with the 12 Steps self help program could draw up, as the popular culture point of reference), against me, and, as I sleep at night, battles are waged against me, with this "futuristic" liquid nitrogen substance being one of the token tools of war. 

On one hand, it feels compelling, I suppose, (for some), to dominate someone, aside from themselves - wielding forces of nature (atmospherics, physics, materials, etc.), with liquid nitrogen at hand. 

The economics of playing around with liquid nitrogen are potentially easy fare, for the festively: for cold war games to play out - on others, "feelin' like" people. For whatever reason, at some point, during these recent years that I'd been through, where I'd have had to "consider" (experience) that some sort of locally-applied environmental coolant agent is the effect au jour, as it were, that I have to go through, for whatever reason. 

Maybe it's literally for my own better protection, as I do my best, customarily, when I'm out and about, doing the homeless person thing, once again, (in life), to prepare myself for outlier occurence weather events, as well as the more generalized regional weather, but, gosh - it's become so obvious - I'm going through micro-localized weather outcomes being laid out on me: the clouds - some of them, between the sun and myself, for example, hang low, and they're grey, meaning that they're dense, and doubled over, up top, by additional atmospheric clouds, which are white, memorably - as we'd recall, to a large degree, truly grey and cloudy days, here, in Southern California, and, more specifically, perhaps, in Los Angeles, ... 🤔 yet, here, in this context, I'd had become aware of the fact of that practically any and much of the outlying areas, surrounding Downtown LA, for example, are, (at these times), concurrently blue skies; without any cloud cover - in essence, suggestive of that some form of civil engineering be at hand. Who knows, perhaps some folks need to be chased, or hurried, at a minimum, out of town? The essence, of this micro-locales issue, in the consideration of vast and unnatural (man-made) disparities of temperatures, is a brutal thing to weather, so to speak. Some people end up ragged and disheveled; kicked to the curb, so to speak. Take, for example, that radiation damage to an individual's belongings takes place in a different segment of temperature spectrum - not roasting hot, as in, hot to the touch, but rather, the cold, the dryness, consequentially, being that water "disappears;" evaporates, or something like that (remember The Terminator movie thing), and "standard" violable metrics of discerning insult, or injury, or even of establishing measurements, in accessible means, by and large, becomes an unobtainable scenario to achieve. It's just people playing games, as a person in power, to some limited extent. 

Just how accessible, on the other hand, is it, to obtain liquid nitrogen - for f*cktard'd reasons, like "cooling down," smoking illicit drugs, terrorizing people? Apparently, it's conceivably within reach: 

Google Shopping options and availability, in this instance of my search query, for "liquid nitrogen price," (without quotes, as entered in the search form).

Apparently, this sort of strange habit becomes a type of service industry to fulfill. In a more traditional sense, nitrogen is much more familiar as an agricultural primary nutrient, yet, easily - it's commonly known that an over-application of a fertilizer product containing nitrogen will quickly wilt the leaves of a plant, and, consequentially, have the potential to kill the plant. In an untouched (by humans) natural environment, nitrogen exists as both atmospheric gas, with atomic number 7, as well as in soil, where nitrogen undergoes variable nitrogen cycle processes, along with available soil nutrients and resources such as oxygen.

A Google "card" widget snippet, discussing the variable desirability (thermodynamically-speaking) of the various forms of nitrogen cycle which are undergone, once nitrogen enters the soil.

Anyways, I had some aspirations to plant some peas, locally, around town, and I encounter constant opposition to that notion, in my internalized mind (or whatever kind of "mind" I happen to be experiencing, at the time). Sometimes it's some person standing in the way of me doing this simple work; for example, the management at the place where I stay, now, forbids me to bring my stuff in to the home - food, even, ... even though I'm not retarded. There's a bunch of problems there, in that regard.

A sprightlysparrowseedlings.shop iPigeon.institute subdomain blog post I composed, on my birthday, last month, concerning my pea-growing aspirations.

So, what to do about nitrogen in the environment, in it's various forms? On one hand, it's used to manufacture explosives (I guess), with the traditional common knowledge tidbit, that we're taught, as children, in school.

Some follow-up topics to consider:

- bottling up urine and flushing it, when caught in an accidental need situation to pee, outside. In instances where I am capable of it, I take on this challenge, for others who had fallen short of reaching the restroom, who had made sure to take me up on my suggestion to bottle up their urine, which I'd put forth in more private disclosures, previously.

- fragrances (natural fragrances) as carbon capture and wind energy resources, to dispel poisoning incidents, where unfavorable (anaerobic, or "lesser oxygenized") forms of nitrogen-cycle compounds have proliferated. The fragrance molecules are best put to use as aerolyzed, hydrolyzed sprays, in diffusion (be careful, in combustible materials situations [I suppose]).

Remember, that here, in Los Angeles, and, in California, consider ourselves a largely agriculturally-based state, and, innovatve, for that matter, and, foreseeably, we could stand a chance of avoiding more costly, or improbable, measures seen through, or not, of engineering efforts put towards avoiding our land ending up sinking below sea level, to the detriment of established work that had already been done, well enough.

Lenten practices at iPigeon.institute - 2024

Some people, here and there, over the years since iPigeon.institute had initially been founded, out of my renewed interest in feeding the birds, in town, posed the question, or they had surmised, perhaps, whether, or that - I feed the birds out of some kind of particular connection or affiliation with Catholicism, being that they ostensibly draw a connection between the birds being taken care of, with the imagery of Saint Francis of Assisi, who is typically pictured, in art and in sculpture, as being surrounded by small animals and birds. In addition, a seedy side of suspicions, upon ulterior motives, assertedly at issue, is suggested about the practice of feeding the birds, as we, here, in Southern California, of this generation, have, as well, come to associate Catholicism with child exploitation, and other tawdry deeds, such as homosexuality. I'll address these issues, in the following paragraphs.

I had just received the notion, early in the morning, today, as to update my blog (finally - it's been since late June, 2023, that I'd last published, I believe, since I died early in July (it was encephalitis, or something like that, this time, that I had fallen dead). These days, dying could be, kinda... like that, I've come to discover. Nowadays, out here, Fentanyl is on the rise, and, in my first instance of dying, I'd snorted a bag of what I thought was cocaine - a foolish thrill to marginally indulge, since I'm immune to cocaine intoxication and euphoria, like it used to be. This last time that I died, I had no recollection or warning of that I was going to fall unconscious - I simply woke up, naked, with tubes in me, in a dormitory-like room setting, with young nurses, about my age, and somewhat my peer demographic, although I was very uncomfortable about the situation, since I had no idea, for some time, where my belongings were - being a materialistic guy, whereas I'd been keeping up with important bills to support owning my belongings, it was a dire blow to my identity, I could feel. I was feeble, to some degree, when I had woken up, with some numbness on a couple sections in my leg, and my good hand was weak, in the forearm. Nobody gave me any information as to what had happened, or how I had gotten there. 

All of this being the by and large underlying premise of how I could possibly compose myself, given the consideration of that today is Ash Wednesday, as well as Valentine's Day - two days in which Catholicism looms large, on the calendars. People who are Christian, such as myself, don't make much of Catholic traditions - and, in the case of Valentine's Day, largely being a popular point of reference to a holiday, perhaps, yet, on our calendar, most standard holidays fall on days next to the end or beginning of the week; around the weekends - I'd suppose that this practice of dating national and federal holidays, in the United States, is potentially a context developed from out of our American society's roots in labor and manifest destiny, in which, as I'd come to ascertain - of that it's difficult, over time, in particular, to sustain a laboring lifestyle and workplace practice that works, throughout every day. Compared to Valentine's Day, which is traditional, still, in American society, yet moreso an arbitrary distinction, of a specific date, rather than a planned and more generally described "day, out of some numbered weeks," given the various calendar months. 

This being the case, I find that it's somewhat too misfortunate - this aspect of how I'd unexpectedly died, of all things, and self-sacrifice had been a heavy burden upon me, since I used my iPad Pro for accessibility issues, and, since my passing away had been a tragic experience for me. I'm still being burdened and stalked, in the streets, even by activists, in addition to gang members, although I do expect better outcomes for myself, and, I'd suppose, I could fairly much, not speak for others, since nobody presents themselves to me. 

I've been to mass, before, however, so I somewhat know how it is - it's a bit more liturgical and formal, in setting and ritual, at least, on a more generalized basis, as far as how the service goes. As far as content, I'd say that it really depends - various cultures have their own flavor, at times, so to speak, on religious services. I find that I'm in too dark a mood, on account of that I am a stalking victim, to care much about religion, or of things that people say, or claim to care about. There's nobody that's actually speaking to me, there's just voices in my head. People that speak to me, as voices in my head, are being identified, regularly, as being developmentally disabled, and bordering on retarded. 

 Alright, 

so, that's my story, as for this year. My significantly primary goal is to feed the pigeons, and develop them in to fine birds and poultry, over the years and decades to come. I get the feeling, as such, as though some people read an account like that, and - as well, "so easily" attempt to mount and claim a stake upon what they ostensibly "fear," in fearing death, of some inevitable outcome, whereas they're sitting or standing around, or something - gathering, perhaps, for the sake of stalking me, in town; in turn, upon religious standards, general practices, and expectations that people who are rational, the throughout society - get by on; "live by," in other words. 

I'm not a large-scale influential individual - I have vast and rich facets of my personality that I'm not addressing, even, for much of the time, out of my days, most commonly. I could communicate some various things on many topics, quite well, yet, beyond what I face, as obstacles to my civil liberties and rights, as an American citizen. I "suppose" not that people are so limited in sociability traits, and decency, solely; I imagine that, rather, some of the other "people" in my head, speaking to me, have a grip on rational outcomes, for people who refuse to repent from sinful acts. Death was easy enough - once I'd passed out, and, as I'd said, I didn't even notice it coming, this last time. The first time, it was like a desperate nausea, overcoming me, and that portion of things lasted perhaps a half hour. While I was unconscious, I didn't know, or realize anything further. Once I woke up, it was about 6 nights' stay at the hospital, and I'd eventually recovered, and moved forward, from where I was at, in life. 

Exciting new things to do with Logic Pro for iPadOS 17. (scratch, updating)

Following up on my first article for the Logic Pro for iPad Users group, on Facebook, here, in this article, I’ll detail some notions I’ve come across, through years of maintaining interest in topics ranging from the obvious - music creation and audio recording, for example, to more recent developments and prospects for the future of our digital and mobile lives - topics such as IoT and edge technology, in incorporating musical creativity in new and largely unexplored reaches in to people’s lives. In doing so, we’ll examine some of the existing hardware devices and software platforms that exist, currently in the summer of 2023, and I’ll offer my best estimations, or experiences, in working with, or, for studying, these extended-use case scenarios, which offer the creative minds of music-making, on Logic Pro, exciting and stimulating new horizons to explore, all within hands’ reach, on our iPadOS devices.

First of all, I’m composing this article, as Apple’s annual WWDC (Worldwide Developer Conference) 2023 is taking place (June 5th-9th). Yesterday, at the outset of the conference, we got some exciting peeks at brand-new hardware technology (VisionOS and updates to existing laptop and desktop hardware), which I won’t get in to, at the time being; here, for our purposes, I’ll detail some of the highlights, features-wise, which make the new iPadOS 17 a rich environment to perform some distinct and unique purpose-fulfillments in the development workflow, and how these tablet-specialties, as I’ll call them, figure in to creativity and professionalism for us, as musicians, and for iPadOS - our chosen platform for concentrating on certain aspects of development. 

Keep in mind - 

This article will cover a lot of ground, for newcomers to the audio and MIDI world hosted on Apple’s mobile iOS and iPadOS platforms - both largely similar and comparable to one another, yet, given some extended use-case scenarios, for either one - some things become distinctly advantageous, when considering Apple’s tablet designs, for the sake of becoming reinvested in digital audio workstations (i.e.Logic Pro, for iPadOS). 

Aside from the obvious advantages of having a truly responsive multitouch display as the workspace, as well as the user interaction workflow environment, there are several advantages to starting off with a new, and updating app installation iPadOS audio environment, where the general third-party plugin and instrument apps are known as AUv3 (Audio Unit version 3) and IAA (Inter-App Audio) - these are the largest standards established, as far as iOS / iPadOS audio is concerned; although, given the boutique-ish (somewhat) form of app development, given years of having established a reputation and user base, amongst App Store audio buffs, as far as generalized audio files needs, per se - a few of these small-purposed apps bear the weight of acts taken for granted, in coming from a desktop pro audio workflow environment. Here they are (there’s only a few, or several, heh heh 🤯😳): 

AudioCopy

In fashioning an abstraction of a complete newcomer’s (to iPadOS pro audio, that is), standpoint, imaginably, people would approach the performance and session considerations, depending on the types of background and skill sets that the user has. Something that isn’t immediately considered, perhaps, is translating audio files over, from audio that’s already been recorded - this is, for example, well understood, as master tracks, taken from session recording microphones - one track, each, to every microphone. So, there would be a kick drum track, perhaps some more drum tracks, a vocal track, guitar and bass amp tracks, etc. So, if you’re able to get these tracks, per se, in to your iCloud account, and or download them in to the Files app, using your on-device (iPad built-in hard drive space) storage, there are still a huge amount of apps, completely aside from Logic Pro, or Files, or… anything else available, off hand, which a person could use to take these raw audio files (specifically audio, we’re dealing with, here - standard formats, such as .wav and .mp3 files) - in short, there’s no other app, amongst everything else out there, that will allow a user to copy an audio file, from one portion of on-device or iCloud storage, in to some of these other apps, for portability, duplication, workflow progression, within some other plugin or filter app, for example. You’ll need AudioCopy for this purpose.

AudioShare

This is the other, companion, and, otherwise, indispensable app, which allows you to fulfill the obvious “receiving” end of the audio file management process - the thing being, is that other apps, as well as the iPadOS built-in app environment, as far as the Files app goes - since everything, essentially, is done within an app, here, in iPadOS. If there is no app for it, then it might just be that the user “just clicked” on something, or perhaps the user is just swiping around, exploring. There’s no extended file management capability, or specialization, for working with audio files, except for these standard and necessary apps, such as AudioShare. This app allows users to share audio files both locally - on-device, and within the iPadOS Files environment, which includes access to cloud storage (iCloud, Google Drive, Adobe Creative Cloud, etc.), on-device storage, plugged-in storage, etc. AudioShare is the app that will let you complete the copy-and-paste functionality, so to speak, as well as that it is also built in, somewhat as a standard, for higher-level functionality considerations within many audio plugins, filters, and instruments, as far as your file “push” and “pull” drop-down pop-up menus would be concerned - comparable to “Save As” on desktop environments. In this case, in iPadOS, the user would encounter a pop-up window, with various options, as far as where to save the file to, yet, if it were an audio file, the user would be significantly limited, as far as choices, as to destination apps, if the user didn’t have this app. There’s no way around it.

That being the case, that’s it, as far as stuff like that goes.

Now, we can explore common-use case scenario plugins, instruments, and apps.

Brusfri - noise-cancelling of an audio signal (microphone input, for example)

One of the most common pro audio use case scenarios is handling the signal-to-noise ratio of every recorded audio track. If you’re hot on microphones for your iPadOS device to connect to, you can jump to that section here (Title Link). There are somewhat limited, cheap-y, to moderately professional-grade quality mic’ing solutions available, depending on which model iPad device you’re working with, what connectivity, therefore, it uses - although, these days, … hmm… 🤔 actually- make sure to not try this out, for yourself - don’t go on a mean search and research binge dive, out in to the internet, to figure out as much, on your own - I’ll update folks when things change, but I really ought to make this clear - there’s not much of a really suitable Bluetooth microphone device hookup capability for iPadOS audio monitoring and recording - meaning, specifically, you cannot “be” the recording artist, “and” hear yourself, at the same time, with Bluetooth, specifically. Sure, there’s a lot of cool little bitsy hardware earbuds, and stuff, that are available, but keep in mind - Logic Pro for iPadOS was just released yesterday, and better solutions will arrive, over time, but a different authority manages the standards, development, and production of those hardware and communication / connectivity things. If you’re trying to get in to manufacturing hardware - let’s face it: some folks just can’t help but check out the scene, when it comes to that sort of thing 🤯😬🤷. I used to do that sort of thing, also.

Brusfri, the app, would easily cancel out so many considerations that a user would have, aside from obtaining any wired microphone that the user could get to rationally connect to their iPad, for their pro audio workspace environment to really have its basic, essential functionality - iPad and microphone, that is, connected by a wire. It’s not so old or useless an idea this point, to be sure. 

What Brusfri does, essentially, is exactly what, for example, a good Mastering / Channel Strip Compressor/Limiter would do, with a fairly simple layout, and premise - here, the basis is: run the audio input feed, or audio track, that’s already been recorded, and click the “ear” thing. It’ll cancel out an appreciable amount of background noise. In semi-pro audio, on mobile, at this point, obtaining a “modest” and “noisy” (crappy, even, or not “ideal”) recording is fairly standard. Brusfri largely makes that circumstance largely seem to fade away, and the audio input feed, or audio recording, will instantly sound much cleaner and much more usable. This is one of the indispensable, reliably developed and produced, audio plugin AUv3 apps out there, to include in your audio workflow signal chain.

Updating…

June 21, 2023 - some inspiration to throw together some kits (or, you could wait for me to do it, and upload some patches) - a 1.99 GB library of Future Bass Samples, MIDI templates, and more, featuring great sounds to use as starting points in your signal chain, to create Chill Trap and Future Bass tracks. It’ll be our latest group project.

Here’s the Google Drive link:

https://drive.google.com/file/d/11ZDFTC544O1q9ybk2PUrnUfJdVPWHaAq/view?usp=drivesdk

Getting started with Logic Pro for iPadOS - a hands-on starter’s guide, for beginners. (Updating)

Discovering that Logic Pro for iPadOS (was|is) [going to be] available was big news, amongst a generation of music enthusiasts and audio professionals. 

Conceivably, for those amongst this demographic, work had become stale, given that our musical imaginations had disappointed us, for the sake of the number of physical steps that digital music creation would require of us, during the creative process, itself. Thinking back, and comparatively, perhaps some of the cutting-edge and elite music producers and studios had, for a long time, now, employed touchscreen formats, which allowed for similar types of control over the workflow and user interface formats, along with software and hardware plugins, instruments, and effects, perhaps - all suited to accommodate music creation and capture, and, also, unique, to some degree, perhaps. 

 For me, I happen to recall that I intently set aside the creation of music tracks and songs, at some point, back when I was trying to juggle so many acts, in between work, walking the dog, home life, and various other attempts at juggling lifestyle concerns. 

Nowadays, 

the late model iPad Pros make things easy, and so many pursuits in life, that had been accommodated by ostensibly larger, clunkier, hardware, are much more well-suited and accommodated by this handheld device, control surface, and screen, all in one. 

For one thing, the sheer speed and power of the late model iPad Pros (I have the 2022 11-inch version) are a challenge to beat, in terms of some senses, of “doing things,” so to speak - in particular, music-wise, in graphic design, in an illustrative sense, and for the sense of user experience and interactivity. The possibilities are, by far, much more on the creative enthusiast’s side, with the iPadOS format; for example, I am a classical pianist, since age 5, which is the recommended age at which a child is recommended to begin piano lessons, in general. I ended up attending university and grad school for music and for music composition, as my concentrations, and majors. 

That being said, 

perhaps that sense of belonging, and, of… 🤔 perhaps, longing, as well - for a familiar platform, in music creation, which accommodates the user at the point at which familiarity brings relief, rather than discontent, for the fact of that it feels like little has changed, in some regards, from the desktop / laptop macOS (and prior) versions of Logic Pro - I’d been a Logic user since version 5, I believe, somewhere back, around 2002-2003, or so - that’s how far this particular platform dates back, historically, for me: it was my preferred platform for creating music, for as long as I’d worked with digital music, on a computer.

Landscape view of the workspace layout, in a new project session I had tinkered around in, in the new Logic Pro for iPadOS app. Here, I had learned where the patches, control panels, session features, such as creating new tracks, instrument patch selection, mixer, and various options, for instruments, for example, are located. 

Now, granted,

I’d long ago ditched such things as jailbreaking my device(s), and I’d set out on the comparatively much brighter outlook of purchasing my software from the App Store. To be sure, it’s a golden age, somewhat, of affordable software, on a top-tier platform, and format - it’s been this way, for a very long time, and for performance, over newness and novelty considerations, it’s truly an illustrious time to be an avid App Store browser and searcher, with the degree, versatility, depth, and features of the third party apps - instruments (inter-app audio) and plugins (Audio Units) that have already been developed, going on, for a good run and a show of things - all of these things, considered, for over a handful of years, and then some (I got on to the latest-model iPhone and iPad Pro formats beginning around 2017, or so. That being said, I’d personally accumulated a fair number of handy and nifty plugins, instruments, and apps - for that matter, apps of all sorts.

Getting fairly personal, here - a peek at my first-page Home Screen, on my current 11-inch 2022 iPad Pro. Here, I had tried to include as broad-reaching, yet contextually succinct, in most cases - the nested folders, which describe the apps I placed in to them. In some cases, the context is largely generalized. For example, I included Logic Pro in my “Apple” nested folder.

All of this being the case,

a newcomer / enthusiast, to the iPadOS format might be wondering where, and or how, they could fit themselves in to this vast ecosystem of new opportunities and grand possibilities in music and audio, with Logic Pro, now being offered, for iPad. I’ll be quick, since other sites cover this sort of specification requirements - essentially, at this point, a Logic Pro user would have to be on a late 2020, or later (release) standard iPad, such as the 8th generation standard iPad, which came out, in late 2020, the iPad Air 3, iPad Mini 5, or any more-recent device. The prospects are not so dim - devices dating back to this time, in development and production, hardware-wise, given iPads - this is an iPad thing, to be certain, and I feel that some users might begin obsessing and searching, madly, for some sort of “other” platform hack, or crack, or otherwise, some sort of solution, which would allow for Logic Pro to work on an iPhone, or something - it won’t work out; that’s my advice (at least not to a person’s overall satisfaction with such an arrangement, if it does become possible to do so). 

So, people will need a late 2020 or later model iPad, of (any|some) sort.

What to do? - if a person doesn’t already own an iPad?

A conundrum, and a frustrating situation, of all things, but, trust me, it’s worth it to switch to iPad, if you’re a music and audio enthusiast. First of all, the display (screen) real estate is at it’s best, with the iPad, and it’s Retina display features, at this stage of starting out with iPads, as a standard feature. All things considered, it’s about (or, at least) as much display and screen space as people had become accustomed to, with iPhones, or other mobile devices, and I consider it a must, for doing work in digital formats, for any kind of digital multimedia arts enthusiast. Trust me, it’s a bargain, in many ways. For one thing, people can employ Google Voice, to field their phone calls, on mobile, and be done with paying for cellular service, and, instead, switch to an unlimited data Tablet Plan, such as AT&T offers, for only $20 a month. 

Hmm… the information detailed in that link suggests that this plan is only for business users, but it’s the plan that I’m on. I’m wondering what the particulars are, on this topic. Perhaps you’ll have to fashion your own business premise, out of this iPad procurement issue - not beyond reach, for the otherwise standard user, who’s aspiring to create music. AT&T has some obscure, behind-the-scenes marketing distribution efforts, I’d estimate, directing customers to one or another offer, to suit, and these types of distinctions and exclusivity could be somewhat incremental, and progressive, in a sense - you might have to come back to the AT&T website, over several days, perhaps, and contingent on that you’d worked out your budget for a device and for this plan, yet I find it the most suitable accommodation in Apple iPad financing and data plans - this AT&T package. For one thing, it greatly reduces the cost of monthly payment commitments, making owning an iPad vastly within reach - for example, I’m mostly outfitted with a welfare-benefits budget, yet I still qualified for this program; that being said, I do run this blog, and associated activities, as a business, for example. I imagine that my readers might encounter different offers, from AT&T, yet, as I’d said, previously, try back at it (AT&T’s website, or app), over the course of several days, perhaps, and see if you get a progressively better deal, once you’ve worked out your finances and budget, for allowing for this sort of thing, with leasing-to-own an iPad, if you can’t purchase one outright.

The next thing to consider is storage.

Here, you could potentially have several choices, depending on where and how you buy in, to the iPad format. Perhaps you already own an iOS device, with some storage used up. On one hand, you’d be fairly hard-put to allow for a fully-featured, free-roaming Logic Pro installation, which, in and of itself, at this point, of the outset of its release, on iPadOS, amounts to about 16 GB of space, if you install all of the content, included in Logic Pro. Recent macOS users of the Logic Pro app would find many of these offerings in the iPadOS version to be very familiar. I chose to download everything, since I have 512 GB storage on my iPad Pro, with plenty of space, at this point. 

The Logic Pro Sound Library dashboard, on iPadOS.

Some of the add-on Sound Packs included, standard, with iPadOS.

A page describing one of the sound packs and instruments included with Logic Pro.

As I’d said, the total installation size, for the complete offerings included with Logic Pro, as well as the app, itself, amounts to about 16 GB. That being the case, if your device only has 64 GB storage, you could, conceivably, already not have enough space, considering other apps, music, photo, document, video, and system data storage content that.s already been filled. On one hand, I wouldn’t much recommend trying to fit Logic Pro in to your iPadOS system, to the exclusion of other stuff you have going on, in your digital iDevice life, since it’s probably also necessary, and it feels good to have options available, as well as an appropriately situated outlook for storage expansion, given legacies of apps, content, and storage committed to our iCloud+ backups, which you’ll also have to figure in monthly fees, to store your backup iPadOS system images, as well as store content, which will be accessible on your iCloud+ subscription plan, which is a good, well-integrated, cloud storage system, in my opinion. 

So, for example, if your current installation is nearing, at, or over - 100 GB, then you’ll definitely be much more comfortable with a 256 GB device, over 64 GB options, that might typically be available. You can find deals on iPads, locally, at any time, on craigslist - one of my old favorites, and a long-time tech-buyers’ and sellers’ haven, for Apple device transactions to go down, locally, and, most commonly, without a hitch. Be sure that the seller is willing to let you demo the device, as far as setting things up, if you go this route. The other well-established platform for local deals would be Facebook Marketplace, which, locally, is very comparable, and, perhaps, even more well-populated, with deals on Apple devices, for local, in-person transactions. Here, you will have various options, and, at times, more options, perhaps, as far as payment, with regards to completing your side of the transaction. I’ve not yet had a poor experience using Facebook Marketplace. There’s also eBay, which is another well-trusted platform for e-commerce transactions to take place; here, with buyer and seller standards, of ratings, and reviews, at the forefront. Amazon is also a suitable marketplace for online transactions, in searching for a new iPadOS device. 

Some things to consider are that, ideally - in my opinion, you’d want to go with a “carrier unlocked” device, which means that it’s been paid for, in full, most likely, by the seller, or, by another previous user, and you can check out any carrier’s plans, as far as getting your device hooked up with data service - iPads can, and do, have their own “phone numbers” provisioned to them, but you can’t make “phone” calls from iPadOS devices, although you can use the phone number for Apple device messaging and FaceTime only - you can’t make calls from your iPad, per se, although you can use Google Voice, for free calling, and it works just as well as a real cellular phone number, in many cases. Only occasionally, a person would run in to a problem with verifying their accounts, from various websites, for example, for needing to use a Google Voice number - it isn’t allowed, in some cases, or, you’d have to contact customer service to notify them of the difficulties in using a VoIP number, such as a Google Voice number.

You’d definitely have to avoid an “iCloud locked” device, since those devices are ones that the current owner of the iPad cannot unlock, themselves, which is questionable. It’s practically junk, in other words. At the time of the transaction, make sure to meet in a comfortable, public or private setting, where it would be reasonable to “go over” your personalization and booting up of your new iPad device, if you’re buying from a local buyer. Make sure that your purchasing platform, or payment medium, has buyer protection, in case something strange happens. 

That being said, remember to try to go with a reasonable amount of storage. If your iOS device backup is already at 100+ GB, or so, you could reasonably, in short order, max out 256 GB, but maxing out 512 GB would be far more off, in the future, perhaps years from this point. Keep in mind some general rules of solid state storage, such as that performance starts to decrease, when the storage drive becomes filled at over 50%. Beyond that, there is about a 10% decrease in performance, with every increase of 10% beyond 50% of storage space filled. Remember, an iPad is a versatile device, and you’d probably explore many different interests, in the App Store - some of which will require a fair amount of storage, themselves, for the app, and for content you create. Set aside a vast amount of data storage for yourself, and don’t worry about it, all that much, for the time being. Just stay intent on expanding, over years, with newer devices. By that time, storage performance and read/write access times will greatly increase, over newer generations of device busses, RAM, VRAM, and storage.

Updating…

Checking in: What’s happening, and what’s there to look forward to, at iPigeon.institute.

 I’d been a bit absent, lately, 

in recent months. This has been due to personal difficulties, on account of various things:

• Back and neck pain
• Budgeting challenges
• Poor weather
• Perceived, or actual threats, to my personal security
• Persona developments
• Remote sensing acquisitions of my time

The truth is, I’d become a bit apathetic, and worry-worn, due to constant challenges and negativity surrounding me, essentially drawing a dark cloud over previous years, in which I’d had eccentric bursts of creativity and prolific resource of novelty and humor. These days, I find it difficult to drum up the same personal rapport and morale, being that the situations suppose, even more than I’d experienced, previously, since I began suffering from bouts of hearing persecutors voices, and from then until now - largely, now, have a distinctive dark taint of familiarity, amongst the characters whom present themselves to me, as harassers, which envelops my subconscious mood and fears of ever establishing yet another dysfunctional relationship, that I bring myself in to.

To be sure, it’s mostly guys that do this to me. With women, I’m much more optimistic, of that they could be “fixed,” perhaps, if necessary, or set aright, in some manner, if it came to that - it’s just sort of a feeling, more than that anything’s materialized; encounters with females are scarce, and not much of anything, although I have been feeling sparks of inspiration, in romance, in recent days and weeks, I’d suppose, and I guess that I’ve been working myself up to dipping my toes in the water, once again, so to speak. It’s a raw deal, that I run, being that I’m fraught with such a defensive and secluded personality framework spectrum of “possible” me’s, which I could make available, and secure some kind of workable sociability profile, for a lady, being that I’m picky, I’ve got formative standards and boundaries set for myself - I don’t tolerate much of any kind of conflict, or distaste, or aversion, to something that’s “not right,” or worse, in a relationship setting, being that I’m a very high 99th percentile degree of honest, and forthcoming, in life, I “don’t smoke (any drugs),” I’m very much present, in the moment, when it comes to opportunities to judge people, and on top of that, my neurotic spectrum of tendencies is still of that I’m generally shy, not much really capable of coming up with a right way to casually wedge my way in to some young lady’s life, and circumstances, and, furthermore, I’m somewhat expected to not even try to date, while on the job, for various reasons and rationale:

• I’m a bum
• My clothes are oftentimes messy
• Sometimes I sweat a lot
• I have a bunch of baggage - literal, bum and pigeon-feeding bum sorts of carry-along baggage
• My nose leaks and drips, endlessly
• I feel like crap, as far as limber qualities - I carry a lot of bags, as I’d mentioned
• A lot of people (women) could run circles around me, in socialization standards
• I’m there for the pigeons, and I can’t afford to look like a creep
• It’s a better trade-off, to be silent, keep to myself, and persist, in feeding pigeons
• I run a strictly fairly conservative Christian Protestant profile, of not much talk, or socializing
• I just keep to myself
• I have to protect my iPad Pro
• Sometimes, I feel like people are following me
• I have people making appearances in my mind, all the time
• I feel like some people definitely don’t like me, categorically, and sometimes, they show up, in town
• I feel like it would look funny, or scandalous, if I somehow materialized some kind of idealized female counterpart, at my side
• People put my personal private time at issue, and they criticize ostensible things that I do (or not)
• I have to do a sit-in job, while out and about, of performing licensed talk and behavioral therapist, marriage and family therapist, some sort of amalgamated public and mental health capacity type of fill-in, sort of work profile, lumped in
• Maybe these are just the “toilet can years” of this pigeon-feeding gig’s enterprise

The importance of classical music education.

Oftentimes, 

I’m issued an obscure, yet demanding task - to contend against invisible adversaries who speak down towards me, in my mind. Far be it from me to feign the belief of that everyone can understand my plight, and dilemma, yet I feel that there is a strong subset demographic operating amongst us, who secretly, and intently, contribute to this obfuscation of the facts (plus more), as singular, or collective, remote sensing interlopers. 

On one hand, some contingent factors must be kept in mind, at all times - one of them, is the understanding, and expectation of that not “everyone,” per se, would reasonably be included within any off-hand remote sensing event, or experience. In other words, it’s important that observants, subjects (of focus), and or participants in remote sensing occurrences keep the potential for grandiosity to flourish in check. Similarly, I commonly observe that some participants, in remote sensing events, at times, brazenly disregard the genera public, and the potential for their communications and participation to fall upon unintended audiences’ “ears,” or, more rightly, their “minds,” since these are aural experiences, perceptually, yet they can not be recorded, via conventional technology means, at least, at the consumer level, at this point in time (March, 2023). 

Other considerations aside, what a tragedy it is, that many people are wrongfully wrought up, in to cult-like sects of sadistic ritual abusers. It’s an unimaginable travesty. 

Rather than focus on this type of occurrence, as a phenomenon, I’d rather maintain objectivity, and rationality, yet the aforementioned dilemma largely prefaces my current underlying circumstances in life, as I find writing to be a self- and identity-affirming practice, through the process of composition, in and of itself, and I largely only get around to writing, textually, these days, although I do make some small gains, here and there, for upcoming and developing musical projects and works to be derived, later on, from future practice and learning, within a musical context. 

Music is truly one of the fundamental intelligences; to be certain (although, this is a time in which shoddy journalistic and publishing practices dominate former standards in intelligence; therefore, valid information of our youth’s learning and education becomes much more of a challenge to discover, for reference, on the internet). Recent seminal works had documented musical intelligence as one of the 9 primary areas of intelligence, for example. We must not diverge our resources available to us, and cast them to the wind, so to speak, by allowing inferior intelligence streams, whether it be our own search patterns, on the internet, or through our news feeds. Yet, this being the case, it’s somewhat all a fluke, given that musical intelligence is something of various forms of virtue - hand-eye coordination, memory and recall plays a significant role in performing and in thinking about music, fine motor muscle skills are developed, through musical training, and musical practice assumes a disciplined lifestyle and household, to at least some degree, in order for musical learning to take place, and take hold, in the mind. 

Much of many people’s discontent and “acting out,” which I find to be prevalent, in my most near-to-me proximity (or, for that matter, as commonplace, in my remote sensing event occurrences, lately) border upon suggestions of modeling of society, itself, now, as an anarchistic domain, to become developed. Are we in our end times, for the sake of a lack of trying to do better? There’s very much a large helping of apathy, amidst discontent, whereas music, whether it be experiencing live or recorded musical pieces, or through practicing and playing music, oneself, both in solitude, and amongst others of a musical inclination. There seems to be so much detrimental, in attitudes about society at large, as a suitable “victim” for one’s own inequities and shortcomings, in life, whereas, I feel that music would fulfill that gap, and need, in life, which we all have, and that being said, it is a blessed offering to ourselves, our wellbeing, and for others. 

iPigeon.institute 2023 classroom and activity ideas.

• Musicianship and Introductory Piano - learning to sing, and rhythmic training. Learning to sight read music.
• Illustration - Ink brush coloring and illustrations. Color theory, rudimentary figure (animals, nature) drawings.
• Track and Field - Running / jogging exercises. Stretching techniques. Physical health routines.
• Nutrition - Demonstrate how to barbecue. How to cook rice and egg. Nutrition lessons - 4 food groups, nutrition theory. Alternative diets (raw). 
• Journaling - Scrapbooking, Typography / handwriting - choosing a font. Bullet Journaling. Page layout and Design.
• Botany - Learning to plant seeds in pots. Plant identification. (Fruit or Flower tree planting?) / community garden. Preserving flowers and leaves (press-method).
• Agriculture lessons - Chicken egg incubator. Animal care - livestock feeding techniques. Genealogy of Poultry and Game Birds.
• Computer Skills - Hand / eye coordination and identification / discernment training. Keyboard navigation on desktop / laptop computer. 
• Sustainability - Compost heap. Community service (leadership) and the ecology. Accessibility - pedestrian safety. Noise and light pollution.

Christmas lights wire art, powered by USB, for example. Available on Amazon. An unexpectedly “way” to dry clothes up, a bit, wow! - USB wired Christmas lights. Who would have thought?

(Abandoned, and cannot update): Analyzing and Comparing the Efficacy of Two Common Learning Methods - Immersion Versus Self-Quizzing.

 Originally published: 09/21/2021

Every now and then, I get quizzed on knowledge base, perceptual acuity , memory tasks of contexts pertaining to occurrences and developments in my life, and of “seemingly” random tidbits of learning, taxonomy, culture, or lore (otherwise), in my remote-sensing environments which happen upon me.

This sort of thing happens on a regular basis. The remote-sensing quorums are attended by various classes and types of individuals, yet commonly, the topic basis is one of a civil complaint against me, and I find myself chronically stressed out, in life, of various sorts of consequences. The pursuit of an ever more leisurely outlook and disposition, in life, is an obvious lure for me, and unfortunately, I find myself deprecating in to former and legacy modes of behaviors, such as seeking novel or imprudent sorts of entertainment online, for example, rather than using my strengths, and building upon gainful and productive aspirations in life. 

 The app I have in mind, in this instance, is a simplistic one, although I would strongly presume that the merits are founded, and sure. 

Why an app? 

Mobile development is an industry that had a significant heyday leading up to the time of the Pandemic, and by all means, it’s an industry that will see growth, to come, as various demographics see a rise and fall in their social and class status underpinnings; I’d suppose that would happen, based on much of the “conjectural” (perceptual?) confessionals and Freudian Slips that I’d been privy to, as we’re all under interrogation by the higher authority, until we become the highest authority, when it comes to a remote sensing tech and lifestyle sort of, uh, lifestyle. 

Within the gold rush timespan, leading up to the era of high-powered mobile device hardware, we saw many shining stars emerge in app development, which fulfilled many of the needed purposes to be seen through in app development in an ever-increasingly more compact, more large if need be; more graphics, higher data throughput and storage capability expectation and demand, on our devices. Activities and pursuits of merit, once confined, largely, to the classroom environment and to libraries, were suitably accommodated and made much more accessible to the layperson of an aspirational creed, who would shrug off the influence of pirating goods (and jailbreaking,, etc.), and go with the program, as far as discovering what was available and being offered through mainstream big tech app stores, offered by Google, Apple, and now Amazon (does Microsoft do an App Store for their mobile devices? I don’t know, off-hand, but I’d assume so). 

The point is,

is that many developers and programmers had staked their worth and product offerings, early on, and they’d established themselves, app-wise, as the go-to solution that people would come to discover, and support, for menial scrum pay - that many App Store offerings were given to people as, with archetypes such as the iTunes Store’s $0.99 offerings of parted-out pieces of what could, would, or had been full albums, previously; many of such apps, themselves, offering a similarly compartmentalized concept of what productivity and development, or “work,” on mobile devices could, and ought be, as it was envisioned and carried out. 

My go-to app, for learning about neural networks, all learning and literature (mostly) aside, came to be Neuronify. Was it free? Did I pay for it? I don’t quite remember, but if it cost anything, it was a couple, or several dollars, or so. It seemed to do the job, as imaginable as it might be, for a dilettante entry in to app-attainment goals, for my arrays, choices, and learning-basis inclusions on to my mobile devices, and for that matter, SSD hard drive space, on an iPad, even more so than on a mobile phone device - it goes a lot further than on a desktop environment (as well as better than phones can offer). I’ve currently (September 2021) got 569 apps, 6020 photos, 346 videos, 168 songs, on my device, which features 256 GB of SSD storage, and I’m only down to about 161 GB remaining. I do anywhere from a 4+ hour to 8-hour screen time daily average, given a week, on my iPad Pro device, particularly now that I’d lost my Google Android Pixel 4a 5G, which is part of a great series of mobile phones, for the cost, by the way. For that matter, the Google Store also features the Neuronify DIY neural networks mapping (doing) app, as well. 

The premise of a neural network is fairly basic, in essence. There aren’t all that many parameters and objects that would be featured in Neuronify, but the significant feature of having development and productivity, on mobile, playing out, at the speed of whatever measure of achievement that could be wrought out of the device and app, through the user’s input, as a moving visual image: interactive, and engaging that it is, playing out on the screen, is part of an attainment, in mobile device development, particularly on the iPad (Pro), which would have formerly only existed in richly-resourced study and research learning and development environments, and tracing even further back, in static image renders, of the calculations involved, and even further than that, in people’s imaginations. At some point, the technology falls back in time, in to philosophical codices, with the basis and need for the science of neurology being a pursuit, study, and investigation of what comprises the mind, itself, and it’s functioning, at the most critical points of investigation and discovery that could be had. What works? What doesn’t? What is the most effective cause and effect cycle and premise? Which types of decisions and behaviors are harmful, or wasteful? These sorts of questions could be proven, to as best the researcher could prove, to the scientific community, whom, in turn, would be capable of producing the same results, in a lab setting, thus validating the discovery. 

Within the app itself, as I’d mentioned earlier, there are only several parameter objects and icon type tools, or actions and feedback mechanisms, in other words, of the interface. The interface, in and of itself, is a node-based class of workflow environment.

The Neuronify app interface, on a 2020 model iPad Pro.

Here, then are the various user interface tools of the app:

Leaky excitatory neuron

Adaptive excitatory neuron

Leaky inhibitory neuron

Adaptive inhibitory neuron

Voltmeter

Spike detector

Firing rate plot

Loudspeaker

DC current source

AC current source

Irregular spike generator

Regular spike generator

Visual input 

Touch activator

Note

My hypotheses:

Premise 1: innovative skills arise out of need, as well as out of rote. 

Some findings and observations, upon that basis:

• Needful skills could only possibly attend to the problem which arises. In this case, I’m choosing productivity as the title of merit. Takin time to discern and decipher, as well as determine that the problem is resolved, and move forth, is hampered by products of neural activity that could rely on lesser or greater electrical pulses, at a more accommodating timing, if the problem at hand were capably handled by a more singular and fluid, unique mind, rather than a mind of more randomness. Electrical efficiency is the requisite object of attainment.
• My preference, for deciphering that engaged and interactive learning, for example, is the superior backdrop to a greater productivity, is that the problems are being resolved in an engaging, real-time environment. Calculations happen quicker through methods gained in using hand-eye coordination types of skill sets - gestural and procedural industriousness, of various other enterprises of life, which pertain to economics, could be translated over in to the argument for an active learning environment basis to a more capable and effective problem-solving style, compared to a “flash card” setting, of completely randomized data sets, this being the cards. 
• The goal of this hypothesis would be to employ certain scientific control environments of my own study, ask individuals for their input, and analyze their statements and claims, as well as their preferences, and discover, within the control environment, whether or not they find similarity, or comparability, in their input received, when calculated against my personal findings. On one hand, it takes a high Intelligence Quotient (IQ) to discern valid mathematical truths about a visual environment, of an insightful nature, yet - I would assert that we, as intelligent and rational creatures, would pursue and develop upon gainful, rational, formal structures, rather than something more founded upon chance, randomness, (even within a finite series of choices), memory - which would alter the resonant section, even, of the brain, itself - a costly transformation; I would say more so, than if the knowledge were understood by an actively engaged mind, of rote discipline, and familiarity, set about in a workflow and industrious setting and environment. 

I’ll pause here, in writing, because I’ve arrived at my destination, of where I’m going, for this part of the day.

Update: 02/09/2023

Hello, I apologize for the abandoned blog article, here - ha ha… a silly way for me to appear, in front of others in the scientific community, but I had abandoned this blog article, due to ongoing challenges in my personal life, which still persist. Aside from that, the app no longer loads on my device; I believe that the app is no longer available for iPadOS, for that matter.