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Wednesday, January 1

An exciting start to a new year - plotting my macOS, iPadOS, mobile and development lifestyle budget and subscription allocations.

Having been a former shameless software pirate craigslist enterprise (2007-2012-ish), as well as DRM content torrent downloading aficionado, I must say, once again, for the record, that I fully encourage people who still refuse to pay for their content and app licensing, to become free of their bonds and debts due to the creators of works in digital - few could claim that the merits of the opposition would outsmart the big tech's legal, executive, administrative, surveillance, and counterintelligence departments, altogether. I sure got a Scientology hard time about it, for a significant run of 5 years, and more.

That being said, I now have a much more stringent and disciplined lifestyle (of tech, still) in that I am, in small measures and means, contributing and creating in small developmental tech, IoT, creative, and analytical projects, many; and much to the fulfillment of all hours of most days (of days that are well-to-do in productivity.

Here's what this month's budget for iPigeon.institute's January 2020 plans for the roadmap, affinity, and content distribution of efforts and capabilities will extend unto.

My calculated budget, given General Relief payment (welfare)
The details of my proposed budgeting for my creative, recreational, development, connectivity, and financials (credit and loans), subscriptions, Human Resources and outreach marketing, design, cloud platform, and MDM (Multi-Device Management) efforts. I have $221 to work with, starting on the 2nd of each month.

I was a bit torn, as to who, where and why I would [might] allocate this largest chunk of payment towards, here; being Adobe's Creative Cloud Suite offerings, at individual retail price of $52.99, versus a Jeux d'orgues virtual instrument pipe organ, a fine suite of offerings in this category, by Markus Sigg, who offers some of the sampled organ instruments for free. The larger spread of octaves and samples are for the paid apps.







Screenshots



Description

The famous Jeux d'orgues 2 sampleset of Joseph Basquin (see http://www.jeuxdorgues.com ) is now available on the iPad and iPhone. Connect a MIDI keyboard or MIDI console to your device to play this sampleset of the Stiehr-Mockers organ located in Romanswiller, France. The app supports wireless MIDI, virtual MIDI, background operation and recording to WAV/M4A files. Visit the app support page for a detailed description of the app's features and to listen to some sound examples. An iPad 2 or later is recommended to get a decent polyphony, but the app can also be run on an iPad 1 with lower polyphony or sample rate. For usage on iPhone, we recommend the models with large screens.

For hearing sound examples of the app, please visit the support page http://polaron.de/Jeuxdorgues/ .

versus: a pipe organ's construction's analytical app. 

Relatively pricey, which is compelling to me, rather than off-setting. It's a learning curve to be discovered, in app form, on iPadOS, when my new 7th generation iPad arrives, somewhere around a week from today, at Target. 






Screenshots



DescriptioM! is an application to calculate and analyze pipe organ scales. M! has all the features of the successful scaling slide rule, used the world over by organ builders, experts and amateurs. In addition, M! offers straight-forward intuitive usage and all the advantages of modern computer programs.


Features include:
- Easiest diagramming of scalings
-- graphically
-- calculated (broken scales, addition constants, etc.)
- Comfortable analysis of existing scalings
-- numerical input of scalings
-- Copy scale files from and to iCloud Drive and Dropbox
- Clear management of scales
-- freely arranged stop list
-- multiple masking of scale curves on the graph
-- simple placement of commentary on the graph
- Multiple readout possibilities
-- graphs of scales in various combinations
-- spreadsheets of all measurements (deviance from mean, diameter, width of mouth, theoretical length, end compensation and much more) for values between C1 and c61 (also selectively, e.g. C-F#)
-- export of spreadsheet into other programs
-- printout of scales
- Use as a documentation medium

Download the User Manual as PDF file at http://download.pleasantsoftware.com/M/M_v3_Userguide_Mac-iOS.pdf

Hauptwerk provides a desktop-class pipe organ software package as a latest release (December 10th, 2019) in their version 5 pipe organ instrument and sound library sample sets. I'm checking out the 2-week trial offer of this one.



Hauptwerk V has arrived


Hauptwerk V has been officially launched around the world and is available now for ordering! New features include a new and improved audio engine bringing even more life-like realism to instruments as well as a brand new audio and perspective mixer and with native convolution reverb (Advanced Edition only). Hauptwerk V also now offers subscription based licensing for the Lite and Advanced Editions while continuing to offer an Advanced perpetual license. Download a 14-day trial to begin experiencing the latest updates!
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I'd been set about to establish more on my enterprise's original iconic au Françoise pigeon carnival app development and slight museum exhibition of blogging, literary journalistic and illustrative ink brush works of the concept | branding | marketing coterie aux feauxeritté, dans conmiseriance aux hautes fineries astute about it - the establishment. It was a bright and shining force about the French mime early morning heraldries of a new personae of my own being wrought, out of the ...

okay, whatever. Nevermind... it's back there, somewhere in the blogs I've written early on in my writings on here. The reader can get the becture (sic), if it's decidedly investigative chunnel time - xoichi munchies of heraldries pigeons-feeding carnival app enterprise, based on a pipe organ calliope scaling carnivaleur's et audrieux hoc des neuveax-en-temps [dailies] of carnival pigeon app enterprise

bwamm, it would have had had it; portend:

(-ed)

pigeons carnivaling flock-wild, high above the streets, all for the good eats of the flock tend-ers and overseers; the passersby crowds, etc.

Such fanciful merits in heraldries established hours upon hours of promise, back then, to the sustainability and viability of the ecosystem, founded in academic intelligence and hard work ethic disciplined and meager sustenance and means along the way - the only sure thing; 

from there til now, 


from here, to there, there's been some years of establishment, yet. Still many to come.

Decisions to make, investments to allocate. Novelty and whittling away of habitually-{stuff, underground notes} sorts of poor manners need be accommodated, some progress of myself being shown, in the meanwhile; some results of the entity that I'd professed, in early morning rants of exceptional talent and delivery; yet still yet, in development - more to come, to of on jaunt - even Olde English 800 dranken' pigeon trappers would change their ways, of of on jaunt - be the pigeon carnival, about DTLA township.

A smattering of Bach Chorales, for pipe organ.

I had wanted to transcribe; as well, some Bach works of the pipe organ, for the sake of ambiance aesthetics in accommodation, and in attribution to clearing some ground and pathways being established. Working through the roadmap and project settings - outset to here; a new year's day, on this particular day. I have (coincidentally), some new years's living situation accommodations to suffice that newness is highly in order, on this occasion, to jaunt myself on to a more; of less, of unnecessary, risky, and unbecoming things. More of lessening, to support my sustainable aspirations and hopes for reasonable accommodation in instances where I'm held responsible for slights at society; faulty things I'd done in the past that affected the casual passersby, whereas I constantly long for the immersion in society as such - a strange debasement of my sound and stable self; these sorts of troubling incidents. The Bach scores, for pipe organ, would be a richly decorative mobile device "kit" of development and fulfillment, of many hours invested in fineries, which both I and others could come to appreciate - with the instruments and quality, thereof, much to be admired, of the apps put out, for both macOS and iPadOS, that I've looked at, and long fawned over.
but ooOOooo... I'm now a member of Adobe's Creative Cloud subscription (free trial) plan, currently downloading and installing as much of the entire suite of app offerings, for free, for a week.


considering
that I can propel forth enormous amounts of productivity once I strategically place and time my usage of the apps, and that I budget for the subscription plan, as well, over the course of my month; I feel like I can really get my money's worth, of the Creative Cloud suite of apps. It's good for my merit in repaying my debts of ethical considerations with my former pirating of their apps (back in the day).

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